圖書標籤: D.N.Rodowick  電影  Cinema  美國  理論  Metz  Mark  Kinema   

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To ask the question, “What is cinema?” is to also open up in new ways the broader question of what is art.

To ask the question, “What is cinema?” is to also open up in new ways the broader question of what is art.

To ask the question, “What is cinema?” is to also open up in new ways the broader question of what is art.

The revisitation of Metz's contribution to cinema studies is insightful and meticulously written, giving the grand master of French film theory a completely new face. By pointing out Metz's relations to previous disciplines (filmology and Formalism, Mitry, Bazin) and his own cinephiliac tendencies, Rodowick did show us a hidden great heritage to us

有件事情沒明白：既然知道理論和哲學是兩迴事，為何沒有深究兩者的關係？“後理論”的批判對象都是法國理論。“電影哲學”似乎就是要避免法國理論的各種語言，不過既然要使用哲學的語言，就要把“電影理論”歸入美學範疇。文學理論的衰落似乎不是一個套路，後半部分終於提到瞭“理論”，不過有沒有解決兩者的問題？說完理論係譜的曆史斷層遠比我們想象的要嚴重，開始梳理結構主義、形式主義的曆史瞭。