图书标签: 日本 日本文学 文学 VisualCulture Japanese_studies
发表于2024-12-28
Topographies of Japanese Modernism pdf epub mobi txt 电子书 下载 2024
What happens when a critique of modernity -- a "revolt against the traditions of the Western world" -- is situated within a non-European context, where the concept of the modern has been inevitably tied to the image of the West? Seiji M. Lippit offers the first comprehensive study in English of Japanese modernist fiction of the 1920s and 1930s. Through close readings of four leading figures of this movement -- Akutagawa, Yokomitsu, Kawabata, and Hayashi -- Lippit aims to establish a theoretical and historical framework for the analysis of Japanese modernism. The 1920s and 1930s witnessed a general sense of crisis surrounding the institution of literature, marked by both the radical politicization of literary practice and the explosion of new forms of cultural production represented by mass culture. Against this backdrop, this study traces the heterogeneous literary topographies of modernist writings. Through an engagement with questions of representation, subjectivity, and ideology, it situates the disintegration of literary form in these texts within the writers' exploration of the fluid borderlines of Japanese modernity.
布局和细读功力都好;脉络是德勒兹的,内核却是弗洛伊德。用小林秀雄的「故郷を失った文学」勾连日本现代性焦虑之下文学书写中各种disintegration的形式:普遍视域(以及小说文体)的崩溃(芥川);资本主义殖民语境下自/他的模糊(横光利一);现代/前现代与和/洋区隔的消失(川端);类型/性别-阶级主体性边界的瓦解(林芙美子);最后以作为对近代以来disintegration的超克尝试的军国主义(晚期横光利一)收束。20s-30s的轮廓讲得很明白,但总感觉理论来得太容易了些。似可对读柄谷行人『日本精神分析』。(写《上海》比写芥川一章好,但也许是因为横光利一远不及芥川丰富吧)
评分布局和细读功力都好;脉络是德勒兹的,内核却是弗洛伊德。用小林秀雄的「故郷を失った文学」勾连日本现代性焦虑之下文学书写中各种disintegration的形式:普遍视域(以及小说文体)的崩溃(芥川);资本主义殖民语境下自/他的模糊(横光利一);现代/前现代与和/洋区隔的消失(川端);类型/性别-阶级主体性边界的瓦解(林芙美子);最后以作为对近代以来disintegration的超克尝试的军国主义(晚期横光利一)收束。20s-30s的轮廓讲得很明白,但总感觉理论来得太容易了些。似可对读柄谷行人『日本精神分析』。(写《上海》比写芥川一章好,但也许是因为横光利一远不及芥川丰富吧)
评分布局和细读功力都好;脉络是德勒兹的,内核却是弗洛伊德。用小林秀雄的「故郷を失った文学」勾连日本现代性焦虑之下文学书写中各种disintegration的形式:普遍视域(以及小说文体)的崩溃(芥川);资本主义殖民语境下自/他的模糊(横光利一);现代/前现代与和/洋区隔的消失(川端);类型/性别-阶级主体性边界的瓦解(林芙美子);最后以作为对近代以来disintegration的超克尝试的军国主义(晚期横光利一)收束。20s-30s的轮廓讲得很明白,但总感觉理论来得太容易了些。似可对读柄谷行人『日本精神分析』。(写《上海》比写芥川一章好,但也许是因为横光利一远不及芥川丰富吧)
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Topographies of Japanese Modernism pdf epub mobi txt 电子书 下载 2024