Public Intimacy pdf epub mobi txt 电子书下载 2024

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Giuliana Bruno

The MIT Press

2007-04-30

256

USD 22.95

Paperback

Writing Architecture

9780262524650

图书标签: 建筑 Giuliana Bruno 电影 contemporary_art_studies 文化研究建築建筑思考

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发表于2024-11-07

Public Intimacy epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2024

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图书描述

In his thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space--a screen of vital cultural memory--has come to shape our visual culture.<br /> <br /> Taking on the central topic of museum culture, Bruno leads the reader on a series of architectural promenades from modernity to our times. Through these "museum walks," she demonstrates how artistic collection has become a culture of recollection, and examines the public space of the pavilion as reinvented in the moving-image art installation of Turner Prize nominees Jane and Louise Wilson. Investigating the intersection of science and art, Bruno looks at our cultural obsession with techniques of imaging and its effect on the privacy of bodies and space. She finds in the work of artist Rebecca Horn a notable combination of the artistic and the scientific that creates an architecture of public intimacy. Considering the role of architecture in contemporary art that refashions our "lived space"--and the work of contemporary artists including Rachel Whiteread, Mona Hatoum, and Guillermo Kuitca--Bruno argues that architecture is used to define the frame of memory, the border of public and private space, and the permeability of exterior and interior space. Architecture, Bruno contends, is not merely a matter of space, but an art of time.

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建筑作为精神机器，将人这个主体构筑进时间和空间，存贮着记忆，限定公共和私密的边界。而当代的视觉文化，譬如影像，作为一种与虚构的想象有关的技术，不仅描绘了空间和运动，也描绘着bodyscape，唤起现代人的意识和记忆，且逐渐由外部空间向内部空间渗透，重新定义现代建筑中的lived space。（重点还是在第一章，第二章的installation可作为案例）

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This is the place of projections, where the voyage of the unconscious works itself into stories and dreams that end up populating the walls of the room. In this sense, the museum is a house of pictures, like film’s own movie house.

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