图书标签: 艺术史 视觉转向 pastoureau arthistory Michel 颜色 论文相关 英译外文
发表于2024-11-14
Blue pdf epub mobi txt 电子书 下载 2024
Blue has a long and topsy-turvy history in the Western world. Once considered a hot color, it is now icy cool. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now pick it as their favorite color. In this entertaining history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearances in prehistoric art to its international ubiquity today in blue jeans and Gauloises cigarette packs.
Any history of color is, above all, a social history. Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Beginning with the almost total absence of blue from ancient Western art and language, the story moves to medieval Europe. As people began to associate blue with the Virgin Mary, the color entered the Church despite the efforts of chromophobic prelates. Blue was reborn as a royal color in the twelfth century and functioned as a formidable political and military force through the French Revolution. As blue triumphed in the modern era, new shades were created, and blue became the color of romance. Finally, Pastoureau follows blue into contemporary times, when military clothing gave way to the everyday uniform of blue jeans, and blue became the universal and unifying color of the Earth as seen from space.
With an exceptionally elegant design and strikingly illustrated with one hundred color plates, Blue tells the fascinating history of our favorite color and the cultures that have hated it, loved it, and created great art with it.
米歇尔·帕斯图罗(Michel Pastoureau)1947 年出生。历史学家,在法国高等研究应用学院(l’École pratique des hautes études)担任研究员,专门研究色彩、图画、纹章和动物的历史。自1982 年起,他也在该校担任西方符号历史学教授。发表了大量著作,其中一部分被翻译成三十多种语言。
foreign word; mosaic; rainbow; dyeing was hard; rise of liturgical splendor; Innocent III colors fabrics; chromophobe/chromophile, Suger/Bernard, color as light/matter, celare; weaver dyer; heraldry Fr; 14c blue knight; no mix till 15c; grisaille; palette of Reformation; temper opulence; Vermeer; woad pastel/indigo; Prussian; Goethe Novalis ancolie
评分居然是十年前在读....而没有标记成已读.....
评分foreign word; mosaic; rainbow; dyeing was hard; rise of liturgical splendor; Innocent III colors fabrics; chromophobe/chromophile, Suger/Bernard, color as light/matter, celare; weaver dyer; heraldry Fr; 14c blue knight; no mix till 15c; grisaille; palette of Reformation; temper opulence; Vermeer; woad pastel/indigo; Prussian; Goethe Novalis ancolie
评分居然是十年前在读....而没有标记成已读.....
评分foreign word; mosaic; rainbow; dyeing was hard; rise of liturgical splendor; Innocent III colors fabrics; chromophobe/chromophile, Suger/Bernard, color as light/matter, celare; weaver dyer; heraldry Fr; 14c blue knight; no mix till 15c; grisaille; palette of Reformation; temper opulence; Vermeer; woad pastel/indigo; Prussian; Goethe Novalis ancolie
这周的光课修到了蓝光,恰好借了这本书。染色那部分让我想起了《大染坊》,圣母玛利亚着蓝色,彩虹里没有蓝色,把罪疚感投射到服饰上,这几个点很有趣。我喜欢蓝色和海洋因素有关,宁静,流动,神秘。 摘录:“宗教改革者认为,一直以来服饰多多少少算是耻辱与罪恶的象征。它与...
评分1 “自古红蓝出CP”,这话其实不准确。严格来说,至少要到13世纪之后,红蓝两色在人们的感知地位上,才基本对等。 这是因为,各个时代的人们对颜色的认识,有很大差异。 19世纪的学者一度认为,古希腊人和古罗马人在视觉能力上是“看不见蓝色”的,因为古希腊语和拉丁语中,一...
评分不同时代的人看到的世界是不一样的。现代人由于生活在一个空前视觉主导的时代,常常难以体会到,我们所习惯的五光十色,对于我们的祖先而言无疑会是晕眩般的体验,他们的生活环境中没有这样强烈的视觉刺激和色彩对比,没那么多过剩的色彩和色彩种类(须知,第一种化学染料苯胺...
评分不同时代的人看到的世界是不一样的。现代人由于生活在一个空前视觉主导的时代,常常难以体会到,我们所习惯的五光十色,对于我们的祖先而言无疑会是晕眩般的体验,他们的生活环境中没有这样强烈的视觉刺激和色彩对比,没那么多过剩的色彩和色彩种类(须知,第一种化学染料苯胺...
评分不同时代的人看到的世界是不一样的。现代人由于生活在一个空前视觉主导的时代,常常难以体会到,我们所习惯的五光十色,对于我们的祖先而言无疑会是晕眩般的体验,他们的生活环境中没有这样强烈的视觉刺激和色彩对比,没那么多过剩的色彩和色彩种类(须知,第一种化学染料苯胺...
Blue pdf epub mobi txt 电子书 下载 2024