In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play.
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三年了，witch 1的台词依旧背得出。
评分可能是因为电影改编都已经看了三四个版本，舞台剧也看了两三次，再看书时颇有些味同嚼蜡。最喜欢波兰斯基的版本，觉得超过黑泽明。
评分最爱的一部莎翁作品
评分啊 最喜欢看莎翁写raving lunatic having a soliloquy
评分Receive what cheer you may. The night is long that never finds the day.
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