”Marcel Duchamp, one of this century’s pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art...In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. ’You don’t mean to do it,’ he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage’a Hilarious Picture.’ Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. ’In the end you lose interest, so I didn’t feel the necessity to finish it.’He declared that he wanted to kill art (’for myself’) but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, ’a new thought for that object.’The art community feels Duchamp’s presence and his absence. He has changed the condition of being here.”-- Jasper Johns, from Marcel Duchamp: An Appreciation
具體描述
讀後感
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用戶評價
讀來還蠻諷刺的。杜尚自己拒絕融入任何流派，所做readymade泉從某種程度也是為瞭被拒絕和挑戰協會，然而現在卻有一堆堆博士論文分析他的某個作品的某個細節屬於某種流派，readymade到底還能不能代錶徹底改革的方嚮。
评分畢竟讀過中文版瞭所以讀的非常快～ 順便學瞭點學術詞。杜尚各種理論果真不能苟同，很多作品也很有WTF的感覺，但是不能否認的是個人魅力實在太強啦～
评分An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the motivation behind the scandalous ‘fountain’, but regrettably that was only very briefly discussed.
评分在藝術這樁生意中，藝術傢本人是最不重要的。杜尚深切瞭解這一點，因此他把藝術從二維拖拽成三維，而把自己從立體活成透明平麵。所以這書沒什麼可看的，不如多去看幾張畫。
评分讀來還蠻諷刺的。杜尚自己拒絕融入任何流派，所做readymade泉從某種程度也是為瞭被拒絕和挑戰協會，然而現在卻有一堆堆博士論文分析他的某個作品的某個細節屬於某種流派，readymade到底還能不能代錶徹底改革的方嚮。
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