Book Description
Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
Gwendolene Harleth marries for money and power rather than love, but finds marriage a trap and her husband's sadistic use of power constricting. The upper-class Victorian society in which she moves is juxtaposed with that of the hero, Daniel Deronda, whose influence is a redemptive force.
The Merriam-Webster Encyclopedia of Literature
Novel by George Eliot, published in eight parts in 1876. It is notable for its exposure of Victorian anti-Semitism. The novel builds on the contrast between Mirah Cohen, a poor Jewish girl, and the upper-class Gwendolen Harleth, who marries for money and regrets it. The less convincingly realized hero, Daniel, after discovering that he is Jewish, marries Mirah and departs for Palestine to establish a home for his people. The warm picture of the Cohen family evoked grateful praise from Jewish readers, but the best part of Daniel Deronda is the keen analysis of Gwendolen's character, which seems to many critics the peak of George Eliot's achievement.
From Library Journal
Nadia May meets the strenuous demands of Eliot's narration with easy assurance. In this enduring Victorian classic written in 1876, two stories weave in and out of each other: The first is about Gwendolen, one of Eliot's finest creations, who grows from a self-centered young beauty to a thoughtful adult with an expanded vision of the world around her. The second is about Daniel Deronda, adopted son of an aristocratic Englishman who becomes fascinated with Jewish traditions when he meets an ailing Jewish philosopher named Mordecai and his sensitive sister, Mirah. Providentially, Daniel then discovers that he himself is Jewish. Eliot's (Middlemarch, Audio Reviews, LJ 3/15/95) tender portrait of Mordecai is considered by some critics to be one of the most sympathetic treatments of a Jewish character in Victorian literature. Characterizations are strong throughout, except when the author takes center stage and delivers one of her lengthy monologs. Once the compelling drama resumes, it makes incredible demands on the narrator. However, whether May is reading French or German or Italian quotations, or interpreting Mordecai's Zionist speeches, she deserves to share the final applause with George Eliot herself.?Jo Carr, Sarasota, FL
From AudioFile
In her lifetime, Marian Evans (1819-80) was celebrated under her pen name of George Eliot as England's greatest living novelist. Today, she is known primarily as the bane of school kids who, having SILAS MARNER thrust down their throats, learn to despise the written word. Dove seeks to make palatable this dreaded tome, about an idealistic orphan who discovers his Jewish heritage in the course of rescuing a Jewish singer and giving succor to the beautiful Gwendolen, who is trapped in a bad marriage. Like Beacham, Bron negotiates the author's difficult locutions with comprehension and aplomb. Unfortunately her Masterpiece Theaterish delivery loses some of Eliot's personality. However, she so masterfully and assuredly puts across the text and so insightfully presents the characters that we can forgive her the lapse into the prevailing fashion. If you're a former school kid wondering just what the heck makes this novel living literature, you may find out by picking up this audiobook. Y.R.
About Author
Edmund White is the author of many novels, including A Boy’s Own Story (available as a Modern Library hardcover classic) and The Married Man. He has written a long biography of Jean Genet and a short one of Proust. His most recent book is The Flaneur: A Stroll Through the Paradoxes of Paris. White teaches writing at Princeton University.
Book Dimension :
length: (cm)19.8 width:(cm)12.6
說實話,一開始被這本書的篇幅嚇到瞭,感覺像是在攀登一座文學的高峰,生怕半途而廢。但一旦你適應瞭作者那種娓娓道來的敘事節奏,就會發現其中蘊含著巨大的能量。它不像那些情節緊湊的小說那樣讓你喘不過氣,反而像一首悠長的交響樂,有著宏大的結構和多層次的和聲。最讓我著迷的是對社會風貌的描摹,那種對當時英國社會階層、財富分配以及道德規範的剖析,簡直是一部活生生的社會學教科書。那些貴族傢庭的虛僞與體麵,中産階級的勤勉與焦慮,都被刻畫得入木三分。我尤其喜歡那些穿插其中的哲思片段,作者似乎總能在不經意間拋齣一個深刻的問題,讓你閤上書頁,抬頭望嚮窗外,陷入長久的沉思。它不是那種讀完就丟在一邊的娛樂讀物,更像是一種需要反復咀嚼、纔能品齣其中滋味的陳年佳釀,每一次重溫,都能發現新的細節和更深的意涵。這種沉甸甸的閱讀體驗,是現代快餐式閱讀無法比擬的。
评分這本書的魅力在於它的廣闊性與深度並存。它不僅關注瞭個體的情感糾葛,比如那些錯綜復雜的愛情與友情,更將視野投嚮瞭更宏大的主題——文化衝突與道德抉擇。讀到某些關於信仰和責任的討論時,我甚至會感到一絲顫栗,因為這些議題的尖銳程度遠超齣瞭我最初對“經典小說”的刻闆印象。作者毫不留情地撕開瞭當時社會光鮮外錶下的裂痕,展現瞭在既定規則下個體良知所要承受的重壓。我喜歡作者處理矛盾衝突的方式,不是簡單的黑白分明,而是將每個人都置於一個灰色地帶,讓他們在看似無可避免的睏境中掙紮求存。那些女性角色的塑造尤其令人印象深刻,她們在那個時代背景下,如何在有限的空間內爭取一絲自主權,那種隱忍與爆發,看得人既心疼又敬佩。這本書要求讀者投入大量的精力去理解這些復雜的背景和人物關係,但最終的迴報是豐厚的,它拓展瞭你對“人”這個概念的理解邊界。
评分從純粹的敘事技巧來看,這本書的結構布局堪稱精妙,像是一幅巨大的掛毯,無數條綫索看似雜亂無章,卻在結尾處完美地收束在一起,形成一個完整且令人滿足的圖案。我特彆欣賞作者如何巧妙地運用環境描寫來烘托人物心境,無論是陰沉的倫敦霧氣,還是鄉間莊園的寜靜與壓抑,都成為瞭角色內心世界的延伸。閱讀過程中,我的感官似乎被完全調動起來,我能“聞到”那個時代衣物的氣味,能“聽見”壁爐裏木柴燃燒的劈啪聲,這種沉浸感是極為難得的。與一些過於注重情節推進的小說不同,這本書更注重“體驗”本身,它讓你慢下來,去感受時間的流逝和人生的重量。它像是一位飽經風霜的長者,在你耳邊絮絮叨叨地講述著過去的故事,看似冗長,卻字字珠璣,充滿瞭對生命本質的洞察。讀完後,那種意猶未盡的感覺不是因為沒看到結局,而是因為你仿佛剛剛告彆瞭一群真實存在過的老朋友。
评分這本厚重的書擺在書架上,光是它的分量就足夠讓人産生一種肅穆感,仿佛裏麵封存的不僅僅是文字,更是一整個時代的脈搏和那些纏繞不清的人性糾葛。初翻開時,那種撲麵而來的維多利亞時代的氛圍是如此濃烈,每一個場景的描繪、每一段對話的措辭,都帶著那個特定時期的優雅與壓抑。我花瞭很長時間纔真正沉浸進去,並非因為文字晦澀,而是因為作者構建的世界太過龐大而精細,就像一個復雜的機械裝置,需要時間去理解每一個齒輪是如何咬閤的。故事的主綫圍繞著幾組傢庭的命運交織展開,其中關於身份認同的探討尤其引人深思,那種在兩種文化之間徘徊、尋求歸屬的掙紮,即便放到今天來看,也具有強烈的現實意義。我特彆欣賞作者對於人物心理活動的細膩刻畫,那些微妙的情緒波動,那些不為人知的內心掙紮,都被捕捉得淋灕盡緻,讓人忍不住去揣摩每個角色的動機,甚至在某些瞬間,會覺得自己仿佛就是他們其中的一員,一同經曆瞭那些光榮與幻滅。整本書讀下來,需要的不僅是耐心,更是一種願意深入挖掘人性深處的勇氣。
评分這本書真正讓我感到震撼的地方,在於它對“理想主義”與“現實妥協”之間那條細微界限的探討。它展示瞭當一個內心懷有崇高信念的人,如何在一個充滿功利和偏見的世界中摸索前行。主角們所做的每一個重大決定,都不是輕而易舉的選擇,背後都承載著沉重的代價和深刻的反思。我特彆欣賞作者沒有給齣一個簡單、唾手可得的“幸福結局”,而是讓角色的命運走嚮瞭一種更加復雜、更加真實的狀態——帶著傷痕,但也帶著成長的印記。這種處理方式,避免瞭廉價的煽情,反而賦予瞭故事持久的生命力。它迫使我跳齣自己固有的道德框架去審視那些選擇,去理解在特定曆史和社會條件下,人性會如何被塑形和扭麯。這本書無疑是一次漫長但極富教育意義的閱讀旅程,它提供的不僅僅是故事,更是一種對自我內心深處信念的檢驗與重塑。
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