Book Description
Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
Gwendolene Harleth marries for money and power rather than love, but finds marriage a trap and her husband's sadistic use of power constricting. The upper-class Victorian society in which she moves is juxtaposed with that of the hero, Daniel Deronda, whose influence is a redemptive force.
The Merriam-Webster Encyclopedia of Literature
Novel by George Eliot, published in eight parts in 1876. It is notable for its exposure of Victorian anti-Semitism. The novel builds on the contrast between Mirah Cohen, a poor Jewish girl, and the upper-class Gwendolen Harleth, who marries for money and regrets it. The less convincingly realized hero, Daniel, after discovering that he is Jewish, marries Mirah and departs for Palestine to establish a home for his people. The warm picture of the Cohen family evoked grateful praise from Jewish readers, but the best part of Daniel Deronda is the keen analysis of Gwendolen's character, which seems to many critics the peak of George Eliot's achievement.
From Library Journal
Nadia May meets the strenuous demands of Eliot's narration with easy assurance. In this enduring Victorian classic written in 1876, two stories weave in and out of each other: The first is about Gwendolen, one of Eliot's finest creations, who grows from a self-centered young beauty to a thoughtful adult with an expanded vision of the world around her. The second is about Daniel Deronda, adopted son of an aristocratic Englishman who becomes fascinated with Jewish traditions when he meets an ailing Jewish philosopher named Mordecai and his sensitive sister, Mirah. Providentially, Daniel then discovers that he himself is Jewish. Eliot's (Middlemarch, Audio Reviews, LJ 3/15/95) tender portrait of Mordecai is considered by some critics to be one of the most sympathetic treatments of a Jewish character in Victorian literature. Characterizations are strong throughout, except when the author takes center stage and delivers one of her lengthy monologs. Once the compelling drama resumes, it makes incredible demands on the narrator. However, whether May is reading French or German or Italian quotations, or interpreting Mordecai's Zionist speeches, she deserves to share the final applause with George Eliot herself.?Jo Carr, Sarasota, FL
From AudioFile
In her lifetime, Marian Evans (1819-80) was celebrated under her pen name of George Eliot as England's greatest living novelist. Today, she is known primarily as the bane of school kids who, having SILAS MARNER thrust down their throats, learn to despise the written word. Dove seeks to make palatable this dreaded tome, about an idealistic orphan who discovers his Jewish heritage in the course of rescuing a Jewish singer and giving succor to the beautiful Gwendolen, who is trapped in a bad marriage. Like Beacham, Bron negotiates the author's difficult locutions with comprehension and aplomb. Unfortunately her Masterpiece Theaterish delivery loses some of Eliot's personality. However, she so masterfully and assuredly puts across the text and so insightfully presents the characters that we can forgive her the lapse into the prevailing fashion. If you're a former school kid wondering just what the heck makes this novel living literature, you may find out by picking up this audiobook. Y.R.
About Author
Edmund White is the author of many novels, including A Boy’s Own Story (available as a Modern Library hardcover classic) and The Married Man. He has written a long biography of Jean Genet and a short one of Proust. His most recent book is The Flaneur: A Stroll Through the Paradoxes of Paris. White teaches writing at Princeton University.
Book Dimension :
length: (cm)19.8 width:(cm)12.6
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从纯粹的叙事技巧来看,这本书的结构布局堪称精妙,像是一幅巨大的挂毯,无数条线索看似杂乱无章,却在结尾处完美地收束在一起,形成一个完整且令人满足的图案。我特别欣赏作者如何巧妙地运用环境描写来烘托人物心境,无论是阴沉的伦敦雾气,还是乡间庄园的宁静与压抑,都成为了角色内心世界的延伸。阅读过程中,我的感官似乎被完全调动起来,我能“闻到”那个时代衣物的气味,能“听见”壁炉里木柴燃烧的噼啪声,这种沉浸感是极为难得的。与一些过于注重情节推进的小说不同,这本书更注重“体验”本身,它让你慢下来,去感受时间的流逝和人生的重量。它像是一位饱经风霜的长者,在你耳边絮絮叨叨地讲述着过去的故事,看似冗长,却字字珠玑,充满了对生命本质的洞察。读完后,那种意犹未尽的感觉不是因为没看到结局,而是因为你仿佛刚刚告别了一群真实存在过的老朋友。
评分这本书的魅力在于它的广阔性与深度并存。它不仅关注了个体的情感纠葛,比如那些错综复杂的爱情与友情,更将视野投向了更宏大的主题——文化冲突与道德抉择。读到某些关于信仰和责任的讨论时,我甚至会感到一丝颤栗,因为这些议题的尖锐程度远超出了我最初对“经典小说”的刻板印象。作者毫不留情地撕开了当时社会光鲜外表下的裂痕,展现了在既定规则下个体良知所要承受的重压。我喜欢作者处理矛盾冲突的方式,不是简单的黑白分明,而是将每个人都置于一个灰色地带,让他们在看似无可避免的困境中挣扎求存。那些女性角色的塑造尤其令人印象深刻,她们在那个时代背景下,如何在有限的空间内争取一丝自主权,那种隐忍与爆发,看得人既心疼又敬佩。这本书要求读者投入大量的精力去理解这些复杂的背景和人物关系,但最终的回报是丰厚的,它拓展了你对“人”这个概念的理解边界。
评分说实话,一开始被这本书的篇幅吓到了,感觉像是在攀登一座文学的高峰,生怕半途而废。但一旦你适应了作者那种娓娓道来的叙事节奏,就会发现其中蕴含着巨大的能量。它不像那些情节紧凑的小说那样让你喘不过气,反而像一首悠长的交响乐,有着宏大的结构和多层次的和声。最让我着迷的是对社会风貌的描摹,那种对当时英国社会阶层、财富分配以及道德规范的剖析,简直是一部活生生的社会学教科书。那些贵族家庭的虚伪与体面,中产阶级的勤勉与焦虑,都被刻画得入木三分。我尤其喜欢那些穿插其中的哲思片段,作者似乎总能在不经意间抛出一个深刻的问题,让你合上书页,抬头望向窗外,陷入长久的沉思。它不是那种读完就丢在一边的娱乐读物,更像是一种需要反复咀嚼、才能品出其中滋味的陈年佳酿,每一次重温,都能发现新的细节和更深的意涵。这种沉甸甸的阅读体验,是现代快餐式阅读无法比拟的。
评分这本书真正让我感到震撼的地方,在于它对“理想主义”与“现实妥协”之间那条细微界限的探讨。它展示了当一个内心怀有崇高信念的人,如何在一个充满功利和偏见的世界中摸索前行。主角们所做的每一个重大决定,都不是轻而易举的选择,背后都承载着沉重的代价和深刻的反思。我特别欣赏作者没有给出一个简单、唾手可得的“幸福结局”,而是让角色的命运走向了一种更加复杂、更加真实的状态——带着伤痕,但也带着成长的印记。这种处理方式,避免了廉价的煽情,反而赋予了故事持久的生命力。它迫使我跳出自己固有的道德框架去审视那些选择,去理解在特定历史和社会条件下,人性会如何被塑形和扭曲。这本书无疑是一次漫长但极富教育意义的阅读旅程,它提供的不仅仅是故事,更是一种对自我内心深处信念的检验与重塑。
评分这本厚重的书摆在书架上,光是它的分量就足够让人产生一种肃穆感,仿佛里面封存的不仅仅是文字,更是一整个时代的脉搏和那些缠绕不清的人性纠葛。初翻开时,那种扑面而来的维多利亚时代的氛围是如此浓烈,每一个场景的描绘、每一段对话的措辞,都带着那个特定时期的优雅与压抑。我花了很长时间才真正沉浸进去,并非因为文字晦涩,而是因为作者构建的世界太过庞大而精细,就像一个复杂的机械装置,需要时间去理解每一个齿轮是如何咬合的。故事的主线围绕着几组家庭的命运交织展开,其中关于身份认同的探讨尤其引人深思,那种在两种文化之间徘徊、寻求归属的挣扎,即便放到今天来看,也具有强烈的现实意义。我特别欣赏作者对于人物心理活动的细腻刻画,那些微妙的情绪波动,那些不为人知的内心挣扎,都被捕捉得淋漓尽致,让人忍不住去揣摩每个角色的动机,甚至在某些瞬间,会觉得自己仿佛就是他们其中的一员,一同经历了那些光荣与幻灭。整本书读下来,需要的不仅是耐心,更是一种愿意深入挖掘人性深处的勇气。
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