Jonathan Franzen is the author of The Corrections, winner of the 2001 National Book Award for fiction; the novels The Twenty-Seventh City and Strong Motion; and two works of nonfiction, How to Be Alone and The Discomfort Zone, all published by FSG. His fourth novel, Freedom, was published in the fall of 2010.
Franzen's other honors include a 1988 Whiting Writers' Award, Granta's Best Of Young American Novelists (1996), the Salon Book Award (2001), the New York Times Best Books of the Year (2001), and the James Tait Black Memorial Prize (2002).
Winner of the National Book Award for Fiction
Nominated for the National Book Critics Circle Award
An American Library Association Notable Book
Jonathan Franzen's third novel, The Corrections, is a great work of art and a grandly entertaining overture to our new century: a bold, comic, tragic, deeply moving family drama that stretches from the Midwest at mid-century to Wall Street and Eastern Europe in the age of greed and globalism. Franzen brings an old-time America of freight trains and civic duty, of Cub Scouts and Christmas cookies and sexual inhibitions, into brilliant collision with the modern absurdities of brain science, home surveillance, hands-off parenting, do-it-yourself mental healthcare, and the anti-gravity New Economy. With The Corrections, Franzen emerges as one of our premier interpreters of American society and the American soul.
Enid Lambert is terribly, terribly anxious. Although she would never admit it to her neighbors or her three grown children, her husband, Alfred, is losing his grip on reality. Maybe it's the medication that Alfred takes for his Parkinson's disease, or maybe it's his negative attitude, but he spends his days brooding in the basement and committing shadowy, unspeakable acts. More and more often, he doesn't seem to understand a word Enid says.
Trouble is also brewing in the lives of Enid's children. Her older son, Gary, a banker in Philadelphia, has turned cruel and materialistic and is trying to force his parents out of their old house and into a tiny apartment. The middle child, Chip, has suddenly and for no good reason quit his exciting job as a professor at D------ College and moved to New York City, where he seems to be pursuing a "transgressive" lifestyle and writing some sort of screenplay. Meanwhile the baby of the family, Denise, has escaped her disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man--or so Gary hints.
Enid, who loves to have fun, can still look forward to a final family Christmas and to the ten-day Nordic Pleasurelines Luxury Fall Color Cruise that she and Alfred are about to embark on. But even these few remaining joys are threatened by her husband's growing confusion and unsteadiness. As Alfred enters his final decline, the Lamberts must face the failures, secrets, and long-buried hurts that haunt them as a family if they are to make the corrections that each desperately needs.
书我是借来的,在看之前,习惯性的拆下腰封,拆下一切能拆下的东西。撇到封面上一句推销式的话:你会再次体会到阅读严肃文学的快感。我歪嘴一笑;现在看完,仍想这么歪嘴一笑。 这是一个家庭的故事,家庭的成员都个性十足,但也能看到身在一个家庭里命运的奇妙重合。 加里和...
評分我不止一次对莉莉说,大洋彼岸的生活是平静的,国人对它的向往毋宁说对一种田园生活的渴望。它能让人安静思考一些事情,毕竟在我们这块土地上,信息量太大,制度的缺陷又如此显而易见。 但对生活在那里的人来说,可选择的道路反而比我们要少得多。书里的人物,都像顺撇一样固执...
評分我不止一次对莉莉说,大洋彼岸的生活是平静的,国人对它的向往毋宁说对一种田园生活的渴望。它能让人安静思考一些事情,毕竟在我们这块土地上,信息量太大,制度的缺陷又如此显而易见。 但对生活在那里的人来说,可选择的道路反而比我们要少得多。书里的人物,都像顺撇一样固执...
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評分这是一本值得仔细阅读的好书,对照过原文,发现翻译的特别棒!我们习惯用一种标准来确定幸福,人为设定一条及格线,线上的是好命,线下的则是不幸。我们所面对的压力与痛苦、狭隘与悲观,往往是由这根及格线造成的,却忘了其实每一种幸福都有缺陷,而每一种缺憾也自有它的幸福...
淩亂的傢庭,每人都有自己的不正常,讓人有時候著急有時候感動。不過還是Purity更好看。
评分好讀說明寫作功力好 有爭議說明作者有立場 但沒有什麼新鮮內容也沒有太多深度 建議跳過直接讀WALLACE
评分在米國時與讀書俱樂部的朋友一起讀的,太長,沒啥印象。隻記得到瞭討論那天,大傢棄之不談,改談中國的女性地位瞭。
评分讀到爹娘那章實在讀不下去瞭,還書的時候對某人說"It's too depressing",某人說當然瞭這可是他的書
评分淩亂的傢庭,每人都有自己的不正常,讓人有時候著急有時候感動。不過還是Purity更好看。
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