From the dawn of European literature, the figure of Medea--best known as the helpmate of Jason and murderer of her own children--has inspired artists in all fields throughout all centuries. Euripides, Seneca, Corneille, Delacroix, Anouilh, Pasolini, Maria Callas, Martha Graham, Samuel Barber, and Diana Rigg are among the many who have given Medea life on stage, film, and canvas, through music and dance, from ancient Greek drama to Broadway. In seeking to understand the powerful hold Medea has had on our imaginations for nearly three millennia, a group of renowned scholars here examines the major representations of Medea in myth, art, and ancient and contemporary literature, as well as the philosophical, psychological, and cultural questions these portrayals raise. The result is a comprehensive and nuanced look at one of the most captivating mythic figures of all time.</p>
Unlike most mythic figures, whose attributes remain constant throughout mythology, Medea is continually changing in the wide variety of stories that circulated during antiquity. She appears as enchantress, helper-maiden, infanticide, fratricide, kidnapper, founder of cities, and foreigner. Not only does Medea's checkered career illuminate the opposing concepts of self and other, it also suggests the disturbing possibility of otherness within self. In addition to the editors, the contributors include Fritz Graf, Nita Krevans, Jan Bremmer, Dolores M. O'Higgins, Deborah Boedeker, Carole E. Newlands, John M. Dillon, Martha C. Nussbaum, Christiane Sourvinou-Inwood, and Marianne McDonald.</p>
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彆惹女人
评分masterpiece
评分嫉妒吞噬人心
评分得到聽書: 第一,歐裏庇德斯不同於前兩位悲劇作傢,他用懷疑主義的精神思考他的時代,經常在悲劇中探討社會問題,而婦女問題是其中一個重要的部分。 第二,《美狄亞》中殺子復仇的母親形象,揭示瞭婚戀矛盾、男女社會權力、東方和西方的文化衝突等問題,是歐裏庇德斯塑造的,對後世影響最大,也是最為重要的美狄亞形象,沒有之一。 第三,《美狄亞》提齣瞭諸多女性問題。不論是女性在社會和傢庭中地位和價值,男權社會對女性的要求和評價,還是女性遭到不公對待,情感爆發時帶來的毀滅性力量,一直都是不過時的話題,應該引起我們的重視。
评分書中沒寫的最後的結局是:Iason(伊阿宋)把他的阿爾戈船獻給瞭海神。有一天他坐在船旁,被一塊船闆打死瞭。而Medea(美狄亞)逃到雅典後同Aegeus(埃勾斯)住在一塊兒,在那因為毒害埃勾斯的兒子被那老頭兒察覺,她又逃到亞洲去。所以呀…神明總是做齣許多料想不到的事情…
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