The gap that divides those of us born in the 1970s and the older generation has never been so wide.
Dark and edgy, deliciously naughty, an intoxicating cocktail of sex and the search for love, Shanghai Baby has already risen to cult status in mainland China. The risque contents of the breakthrough novel by hip new author Wei Hui have so alarmed Beijing authorities that thousands of copies have been confiscated and burned. As explicit as Henry Miller's Tropic of Cancer, as shocking as Trainspotting, this story of a beautiful writer and her erotically charged affairs jumps, howls, and hits the ground running as it depicts the new generation rising in the East.
Set in the centuries-old port city of Shanghai, the novel follows the days, and nights, of the irrepressibly carnal Coco, who waits tables in a café when she meets her first lover, a sensitive Chinese artist. Defying her parents, Coco moves in with her boyfriend and enters a frenzied, orgasmic world of drugs and hedonism. But, helpless to stop her gentle lover's descent into addiction, Coco becomes attracted to a boisterous Westerner, a rich German businessman with a penchant for S/M and seduction. Now, with an entourage of friends ranging from a streetwise madame to a rebellious filmmaker, Coco's forays into in the territory of love and lust cross the borders between two cultures -- awakening her guilt and fears of discovery, yet stimulating her emerging sexual self.
Searing a blistering image into the reader's imagination, Shanghai Baby provides an alternative travelogue into the back streets of a city and the hard-core escapades of today's liberated youth. Wei Hui's provocative portrayal of men, women, and cultural transition is an astonishing and brave exposure of the unacknowledged new China, breaking through official rhetoric to show the inroads of the West and a people determined to burst free.
卫慧,被称为 "晚生代"、“新新人类” 女作家, 1973年生,摩羯座。1995年毕业于复旦大学中文系,做过记者,编辑,电台主持,咖啡点女侍, 蹩脚的鼓手, 不成功的广告文案, 自编自导自演过话剧, 参加99国际"超市艺术展" . 现居上海写作.出版作品包括《蝴蝶的尖叫》,《水中的处女》,《像卫慧那样的疯狂》,《欲望手枪》。 部分作品译介入美国,德国,日本。
在我的年代久远的记忆中,爱,曾经等同喜悦。 20世纪末,上海文坛出现了两个“宝贝”:安妮宝贝和卫慧的《上海宝贝》。《告别薇安》的晦暗和《上海宝贝》的放纵与歇斯底里,构成两道风景线,并且再次认证了“女作家不能写别人,只能写自己”的论据。 2000年的四月,我一个人,...
评分写点什么提醒自己读过这本书。也许一段时间后我完全想不起coco或天天或那个异域情人,但20世纪初的上海味道会隐约留在记忆中。 我常常在想同时拥有温暖爱人和热烈情人的女人,是个什么样子,又会有什么样的结局。因为鱼和熊掌不能兼得,没人能拥有完美。 卫慧是个勇敢的女子。...
评分高中时第一次读这本书,坦率的说,我被吓到了。 直接的恐惧是卫慧对生活细节的描写,就是那些平常的场景在她的笔下全都蒙上了灰暗的色彩,让人感到无力和绝望。心理学家说,意象是心灵能直接理解的东西。作者很擅长通过意象来传递情绪。 但最根本的恐惧还是卫慧揭示了一种分裂...
评分佩戴防毒面具,这本来是2017新年人在北京的现实需求,按理说与读物无关。但不知名的哲人又说:所谓行为艺术,就是很多时候分不清到底哪些是行为,哪些是艺术。根据这个理论,在多少年后又重新去读当年风靡一时的《上海宝贝》,自身便有些行为艺术的意味,当然要把戏演足,所以...
评分好一本破书,从文本本身到市场运作真算是当代消费文化语境下的典范之作,文本内容充斥着小资阶级对后殖民的臣服,对消费主义文化的积极参与。通篇是对自我魅力的意淫、对全球化的可笑想象、小资的无病呻吟和对中产的谄媚嘴脸、伪装的先锋姿态,空洞、媚俗、无趣、矫揉造作,看...
哎。
评分though plot is stupid, really relieve sexual frustration, haha
评分哎。
评分though plot is stupid, really relieve sexual frustration, haha
评分哎。
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