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Richard Williams is best known as the Director of Animation and designer of the new characters for Who Framed Roger Rabbit, for which he won two Academy Awards including a Special Achievement Award.Canadian-born Williams has won three US Academy Awards, three British Academy Awards, and an Emmy among 246 international awards-- starting with his first film The Little Island in 1958.Williams has also animated title sequences for Return of the Pink Panther, The Pink Panther Strikes Again, What's New Pussycat, Casino Royale and linking sequences for The Charge of the Light Brigade, as well as countless prize-winning commercials.In 1990 he was voted by his peers as "The Animator's Animator," and in 1995 he started giving the Richard Williams Animation Masterclasses for professionals and students worldwide in London, Hollywood, New York, San Francisco, Vancouver, Sydney, Hong Kong, France and Denmark.He lives with his family in Wales and works as an independent film-maker.

Why This Book? 1
Drawing in Time 11
Time to Draw 23
It's All in the Timing and the Spacing 35
Lesson 1 41
Advancing Backwards to 1940 46
History of the Chart and Inbetween 47
Extremes and Breakdowns 48
Keys 57
Three Ways to Animate 61
Testing, Testing, Testing 68
The X-Sheet 70
Came the Dawn... 75
The Best Numbering System 76
The Great Ones and Twos Battle 78
The Top and Bottom Pegs Battle 80
More on Spacing 84
Classic Inbetween Mistakes 88
Watch Your Arcs 90
Getting More Movement Within the Mass 92
The Elongated Inbetween 96
The Major Beginner's Mistake 99
The 'Ruff' Approach 99
How Much Do We Leave To The Assistant? 101
Take The Long Short Cut 101
Walks 102
Getting the Weight 106
Set the Tempo 109
The Passing Position or Breakdown 111
Two Ways to Plan a Walk 115
The Double Bounce 118
Loosening it Up 120
Digging Deeper into Walks 128
There's Nothing Like Trying It 135
The Heel 136
Foot Action 136
Normal Walk Spacing 142
Weight Shift 146
The Belt Line 147
Arm Movements 148
Counteraction 156
The Recipe 163
Sneaks 167
The Tip Toe Sneak 173
Runs, Jumps and Skips 176
The 4 Drawing Formula Run 189
The 3 Drawing Run 192
The 2 Drawing Run 195
The Recipe 200
Run, Jump, Skip and Leap 201
Skips 209
Jumps 212
Weight on a Jump 213
Flexibility 217
The Breakdown 218
Simple Overlap 223
Overlapping Action 226
Simple Counteraction 230
Breaking Joints to Give Flexibility 231
Flexibility in the Face 246
Overlapping Action in the Face 249
Instant Read - Profiles for Readability 251
Weight 256
Pressure and Weight 262
How Much Effort Do We Have to Expend? 264
Dancing 269
Rules of Thumb On Synchronising Action 272
Anticipation 273
Surprise Anticipations 282
Invisible Anticipations 283
Takes and Accents 285
A Hard Accent Bounces Back 295
A Soft Accent continues 295
Timing, Staggers, Wave and Whip 297
Stagger Timings 297
The Side to Side Vibration Formula 299
Whip Action 301
Wave Action 301
Dialogue 304
Phrasing 305
Picture and Sound Sync 310
Accents 311
Attitude 314
The Secret 314
Acting 315
Change of Expression 320
Look for the Contrast 321
An Acting Point 323
Body Language 324
Symmetry or 'Twinning' 324
Steal It! 325
Eyes 325
Animal Action 327
Live Action Reference 328
Basic Animal Walk Pattern 330
Directing 333
The Brief 334
The Leica Reel 334
Separate the Characters 334
Best Foot Forward 335
Casting Animators 335
Making Changes 335
'Say! Say!' 335
Voice Recording 335
Hook Ups 335
Research 335
Editing 335
Believe in Your Material 335
Review 338
The Procedure 338
The Ingredients 339
Acknowledgements 342
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