This highly readable translation of French historian Evelyne Lever's 1991 biography captures all the drama and pathos of Marie Antoinette's short life. Born in 1755, this carefree, fun-loving daughter of Austrian empress Maria Theresa inherited neither her mother's political shrewdness nor her sense of duty. She was married off at 14 to the stolid, clumsy French Dauphin, who would not fully consummate their marriage for another seven years, at which point he was King Louis XVI and their marital difficulties were the subject of public ridicule. She consoled herself by retreating to the artificial village she constructed at Trianon, where she could be free of the court etiquette she hated and indulge in expensive amusements that only increased her unpopularity. Her rare incursions into politics were just as ill judged; she alienated the French nobility with attempts to further Austria's diplomatic goals, and from the first rumblings of revolution in 1788, she influenced Louis to take a hard line on royal power when compromise might have saved the monarchy and prevented their executions in 1793. Lever does not soften Marie Antoinette's faults or downplay her poor judgment, but most readers will finish this absorbing narrative feeling very sorry for a pretty, goodhearted, but fundamentally frivolous woman thrown into a historical moment whose demands were beyond her. --Wendy Smith --This text refers to an out of print or unavailable edition of this title.

This romantic portrait of the queen who was reviledAand eventually executedAby the French revolutionaries transforms the woman who supposedly said "Let them eat cake" from a symbol of the cruelty of class politics into a quaint sovereign. Lever, a French historian who has written biographies of Madame de Pompadour and other figures of the French court, sees Marie Antoinette as a fashionable and frivolous victim of salacious rumors. While she admits that her subject had a "complete lack of insight into the aspirations of the majority of the French people," Lever portrays Antoinette as the novelistic heroine she always wanted to beAnot an actor on the political stage. Her "voluptuous bosom," "fleshy mouth" and "supple neck," Lever writes, were unspoiled by her "slightly protruding blue eyes," and she "knew better than any other sovereign how to bring to perfection the aristocratic art of living of prerevolutionary France." Although a compelling narrative, the book doesn't do justice to the weighty moral and political themes Marie Antoinette's life and death raise. The queen, it is clear, was a political disaster, managing to alienate both a sizeable section of the courtly aristocracy and the starving masses. Her extravagance and counter-revolutionary impulses provoked "incredibly venomous" lampoons (and, of course, her death). But Lever never takes up these components of her life. Rather, she repeatedly ascribes acts of revolutionary violence to "madness" perpetrated by "madmen." Energetically researched in Paris, Vienna, even Sweden (the home of the queen's dark, handsome beau, who also "looked exactly like the hero of a novel"), the book is evocative, but romance, rather than historical analysis, takes precedence here. 8 pages of b&w photos not seen by PW. (July)

Copyright 2000 Reed Business Information, Inc.--This text refers to an out of print or unavailable edition of this title.