Raymond Carver
Raymond Carver was a man of few words. Often characterized by an economy that bordered on austerity, Carver’s stories were short and plainly written, and his terse prose lent itself perfectly to his favorite subject: working-class America. Aside from poetry, which was written in the same no-frills style, Carver devoted himself exclusively to short stories. What really set Carver apart from other authors, however, was his exploration of the dark side of Americana. In the simple lives of small town folk, Carver uncovered the violence, rage, and loneliness lurking just beneath the surface. Like many writers, his posthumous reputation has grown exponentially, and it is impossible to imagine any serious study of the short story that does not include the extraordinary work of Raymond Carver.
Raymond Carver's "What We Talk About When We Talk About Love"
Commentary by Karen Bernardo
Raymond Carver's short story "What We Talk About When We Talk About Love" takes place in one sitting, or more precisely, one pre-dinner drinking bout. It is told in first person, with one of the four characters referring to himself as "I," but ironically this is the character about whom we know the least; he is merely the mouthpiece for the action, and all we know about him is that his name is Nick and he is married to Laura. His friend Mel is a cardiologist, married to Terri, and initiates the conversation of what love means. This conversation provides the central focus of the story.
Mel, Nick tells us, thinks "real love [is] nothing less than spiritual love." He cannot comprehend that his wife's abusive ex-husband, Ed, could possibly have loved her while he was dragging her around the room by her ankles. "That's not love, and you know it," Mel says. "I don't know what you'd call it, but I sure know you wouldn't call it love."
Terri, on the other hand, insists that it was. She has led a much less sheltered life and is also much less self-righteous than Mel; she understands that while objectively Ed could be regarded as sadistic, dangerous, and pathological, he operated out of a reservoir of strong emotion that was simply incapable of channeling itself in socially-acceptable ways. This strong emotion, when turned toward other human beings, erupted in violence. This is why he beat his wife and eventually committed suicide.
Ed, in fact, functions as a pivotal character in the story even though he is dead by the time the action occurs. He stands out in stark contrast to the little group drinking around the table, for, crazy as he was, he had life in him. Terri seems to look back to her days with Ed with a kind of nostalgia, because for all his crackling violence, she thinks he is more man than Mel will ever be.
Mel, for his part, presents the story's central question -- what is love -- because like the rest of the group he is imbued with a sense of loss, of regret, of unutterable sadness, for reasons he can not quite describe. He feels instinctively that it has something to do with love, and he's right in a way; it has everything to do with passion. The little group sees in alcohol a way to inflame the passion they once felt for living, or the passion they think they should feel. Mel notes that as much as they love each other, if they were all married to someone else, it would make no difference in their lives; one empty person is as good as another.
In fact there is in fact no passion in these people; the alcohol makes it worse, and at the end, when Mel says the gin is gone, Nick concludes the story with the words: "I could hear the human noise we sat there making, not one of us moving, not even when the room went dark." They can't move because they suddenly realize the fact that none of them have ever moved; their lives have always been, and will always be, empty and dark, and they no longer have gin to cover this up.
【一】 我一直在研究人类的行为心理学,一项事物能够进行研究,那么说明那是有规律可循的。因为我一直认为,人做任何事情,都是有前因后果的。很多行为看似没有任何征兆,但是它的爆发常常是隐藏在很多琐碎细小的情节中的。 譬如说,一个写出了“黑夜给了我黑色的眼睛,我却用...
評分买了本原版的卡佛作品集,试着有空做翻译练习。想有个对照,于是买了这本小二翻译的《当我们谈论爱情时我们在谈论什么》。看了三篇,可以判断这本翻译相当糟糕,想不明白译林出版社是怎么审核就让这书出版的。我自己不是什么高手,但不是高手的人也可以看出别人糟糕的地方。这...
評分我们读到结尾,会疑惑为什么“我”要那残疾人摄影师帮“我”把砸石头的行为照下来? 返回文本,以时间的顺序重新叙述这个故事:叙述者“我”是个老男人目前一个人生活,子女们都离“我”而去,妻子可能也和“我”离婚了或者死了,但他们把家里的东西搬了个精光。“我”孤苦伶仃...
評分 評分我们读到结尾,会疑惑为什么“我”要那残疾人摄影师帮“我”把砸石头的行为照下来? 返回文本,以时间的顺序重新叙述这个故事:叙述者“我”是个老男人目前一个人生活,子女们都离“我”而去,妻子可能也和“我”离婚了或者死了,但他们把家里的东西搬了个精光。“我”孤苦伶仃...
we don't know
评分I don't know why this story is so popular. It seems a little boring to me.
评分最近一直在思考電影和讀書給予我們的信息量的區彆到底有多大。至少現在我認為,認真閱讀一本值得閱讀的書,帶給我的思考是一般的電影不能比的。如果我願意仔細琢磨,一本好書裏麵每一個單詞的選擇似乎都可以反應作者想傳達的很多信息。恰好和a那天談到這,他告訴我說,他讀書最不重視的就是plot,因為想看plot的話直接看電影就好瞭啊。那是不是電影其實就是一本隻剩下plot的書呢?
评分沒想到他還在我們學校教過課…… 全都是很有畫麵感的故事。隻是看到後麵就習慣瞭所有的主人公的類似的無奈的一麵。Love the title story best.
评分we don't know
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