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罗兰·巴特（Roland Barthes，1915-1980）被认为是继萨特之后法国知识界的领袖人物，蒙田之后最富才华的散文家。他在符号、精神分析批评、释义学、解构主义诸领域都有卓越建树，对西方文化和文化研究影响深远。

出版者:Farrar, Straus and Giroux

作者:Roland Barthes

出品人:

页数:160

译者:Annette Lavers

出版时间:1972-1-1

价格:USD 14.00

装帧:Paperback

isbn号码:9780374521509

丛书系列:

图书标签:

Roland.Barthes
论文参考书
Criticism
Barthes

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" "Mythologies"] illustrates the beautiful generosity of Barthes's progressive interest in the meaning (his word is signification) of practically everything around him, not only the books and paintings of high art, but also the slogans, trivia, toys, food, and popular rituals (cruises, striptease, eating, wrestling matches) of contemporary life . . . For Barthes, words and objects have in common the organized capacity to say something; at the same time, since they are signs, words and objects have the bad faith always to appear natural to their consumer, as if what they say is eternal, true, necessary, instead of arbitrary, made, contingent. "Mythologies" finds Barthes revealing the fashioned systems of ideas that make it possible, for example, for 'Einstein's brain' to stand for, be the myth of, 'a genius so lacking in magic that one speaks about his thought as a functional labor analogous to the mechanical making of sausages.' Each of the little essays in this book wrenches a definition out of a common but constructed object, making the object speak its hidden, but ever-so-present, reservoir of manufactured sense."--Edward W. Said

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p10 Preface The following essays were written one each month for about two years, from 1954 to 1956, on topics suggested by current events. I was at the time trying to reflect regularly on some myths of French daily life. The media which prompted these refl...

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【按】看了些解读巴特的文字，觉得这篇简单的解读文字也有必要贴出来，供大家批判。兼听则明。该文收于：《文化与诗学》，第13卷，北京大学出版社，2011年版。 “神话学”：符号学分析与意识形态批判 ‘Mythology’: Semiological Analysis and Ideological Critique 摘...

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通篇看不懂…… 明白的只是一些剥离出来的意义的成品。我废了。凉的，透透的。???? 意义是已经完成了的。他设定了一种知识。一种过去和记忆。设定了事实规定。所以它是剥开阐释意义。宇宙无限的暗示性。客观化和概念化是种高密度的重材料。被人承认的感觉。茶花女。小资...

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关于semiotics。虽然过的糊涂点也好，但还是借我借我一双慧眼吧，让我把这世界看得清清楚楚，明明白白，真真切切

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《神话修辞学》绎读今日之神话是什么？要揭示它，首先要解释何为神话。古希腊神话、中国远古神话，都被命名为“神话”，它们的涵义是否一样？一般认为，神话是由远古族群的人们集体创造的，反映人类原始时代或人类演化初期的故事，这些故事被当时人看作真实发生的事件。尽管在...