Joseph Brodsky (1940-96) came to the United States in 1972, an involuntary exile from the Soviet Union. He received the Nobel Prize in Literature in 1987 and served as Poet Laureate of the United States in 1991 and 1992.
'Genius . . . bringing ardent intelligence to bear upon poetry, politics and autobiography' Seamus Heaney
Essayist and poet Joseph Brodsky was one of the most penetrating voices of the twentieth century. This prize-winning collection of his diverse essays includes uniquely powerful appreciations of great writers: on Dostoevsky and the development of Russian prose, on Auden and Akhmatova, Cavafy, Montale and Mandelstam. These are contrasted with his reflections on larger themes of tyranny and evil, and subtle evocations of his childhood in Leningrad. Brodsky's insightful appreciation of the intricacies of language, culture and identity connect these works, revealing his remarkable gifts as a prose writer.
'Sparkles with intellect, and combines the precision of scholarship with the passion of the poet'
The Times
Winner of the Nobel Prize for Literature
不评了,摘点自己喜欢的句子。 我在读的是布罗茨基的《小于一》,去年很多人喜欢这本书,也有很多推荐,但是真正要读下去、读懂,以我读这本书的体会,不是件容易的事情。特别是书中有很多精妙的地方,非过眼即清。有些地方,我读得吃力,不过正像译者黄灿然先生在译后记所言...
評分1.格言式写作 艺术不模仿生活,哪怕仅仅出于担心陈词滥调。(《哀泣的缪斯》) 为了在极权主义压力下生存,艺术应发展出与那个压力强度成正比的密度。(《在但丁的阴影下》) 成为一个作家总是意味着成为一个新教徒。(《自然力》) 平等的概念,不是艺术本质固有的,而任何文...
評分——基于《小于一》和《悲伤与理智》两份译文展开的冒险 (一) 与纳博科夫一样,布罗茨基对于那场“伟大的革命”同样摆出了全盘否定的姿态,这丝毫不让人觉着意外;但略为意外的是,布罗茨基在使用英语的天赋上,要比这位同胞逊色许多。而这恐怕也是可以理解的,如果我们曾...
評分鲜于修礼 面对这部布罗茨基的英语散文集,我感兴趣的第一个问题是,他为什么要使用英语写作?前现代的“流放”,或后现代的“离散”,不论使用哪个词汇来指代他的迁徙,在我看来这个事件本身都该是最重要的原因。然而,诗人本人没有这样说;他提供了两种解释,而两种解释看起来...
迴過頭來會發現好書確實太突齣瞭。
评分正在努力鑽研這個,想要完全的讀懂它是有一定難度的呀!
评分好看
评分No one spits out insights with such precision and brilliance and in such abundance as Brodsky
评分If you dare looking back, staring at the devil, down the cliff.
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