The Hour of the Star

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Clarice Lispector (1925-1977), the author of such works as Near to the Wild Heart, The Hour of the Star, and The Passion According to G. H., is the internationally acclaimed novelist and short-story writer from Brazil and the subject of Benjamin Moser’s magisterial biography Why This World.

Series editor Benjamin Moser, who contributes afterwords for all four of these new translations, is the author of Why This World: A Biography of Clarice Lispector, due out in paperback from Oxford University Press in May 2012. He also just completed a new translation of Lispector’s The Hour of the Star.

The Irish author Colm Tóibín’s most recent novel, the bestselling Brooklyn, won the 2010 Costa Fiction Award.

出版者:New Directions
作者:Clarice Lispector
出品人:
页数:128
译者:Benjamin Moser
出版时间:2011-11-9
价格:USD 12.95
装帧:Paperback
isbn号码:9780811219495
丛书系列:
图书标签:
  • 巴西 
  • Lispector 
  • 拉美 
  • 小说 
  • 外国文学 
  • 文学 
  • 译本 
  • 英文原版 
  •  
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The Hour of the Star, Clarice Lispector’s consummate final novel, may well be her masterpiece. Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life’s unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabéa is inwardly free. She doesn’t seem to know how unhappy she should be. As Macabéa heads toward her absurd death, Lispector employs her pathetic heroine against her urbane, empty narrator—edge of despair to edge of despair—and, working them like a pair of scissors, she cuts away the reader’s preconceived notions about poverty, identity, love, and the art of fiction. In her last book she takes readers close to the true mystery of life and leaves us deep in Lispector territory indeed.

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请允许我用点理论和个人的看法来分析巴西作家克拉丽丝·李斯佩克朵的这部《星辰时刻》。 一开篇,就是有点意识流(真的有点伍尔夫的味道)和非常流畅的哲学气质,和用到了被称为“元小说”的人称变换、全知全能(或半全知)的叙述,来构建一个如梦中的世界。 书中的女主角就是...  

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我向C解释说李斯佩克朵的语言很妙,但不是那种经过训练经过教化的妙。她的语言,是不可驯化的。我没有觉得我这句话讲得很抽象。C说会不会是翻译的问题呢?我正想要向他解释时他说,举个例子。好,举一个例子。 例如克拉丽丝李斯佩克朵说“成为女人仿佛都不是她的使命,成为女人...  

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My favorite novella of the year!!! YES. Everything starts and ends with a "yes". (Explosion)

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lispector临终前的一本,the most empathetic clarice。Still the death, the vomiting, the bodiliness,但是都更温柔。could have ended a little bit earlier - “you accept anything because you‘ve kissed the wall.”

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作者遣词用句,实在有趣。故事近乎为零,所以才能在叙事上玩出如此花样吧。

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A life that reduced itself to its primitive state. Who can tell if she wasn't needing to die?

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punch in the stomach时疼痛和意识分离的那一刻,哭泣: depriving the facelessness of beings 不是去看what’s behind, 而紧攥着那揉作一团的事物问 what being? what face? what less?

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