具体描述
THE FIRST BOOK IN V.S. NAIPAUL'S ACCLAIMED INDIAN TRILOGY An Area of Darkness is V.S. Naipaul's semi-autobiographical account at once painful and hilarious, but always thoughtful and considered of his first visit to India, the land of his forebears. He was twenty-nine years old; he stayed for a year. From the moment of his inauspicious arrival in Prohibition-dry Bombay, bearing whisky and cheap brandy, he experienced a cultural estrangement from the subcontinent. It became for him a land of myths, an area of darkness closing up behind him as he travelled ...The experience was not a pleasant one, but the pain the author suffered was creative rather than numbing, and engendered a masterful work of literature that provides a revelation both of India and of himself: a displaced person who paradoxically possesses a stronger sense of place than almost anyone. 'Brilliant' Observer 'A masterpiece of travel-writing' Paul Theroux 'His narrative skill is spectacular.' The Times
作者简介
V.S.奈保尔（V.S.Naipaul）：
英国当代作家，文化巨匠。1932年生于特立尼达岛上一个印度移民家庭，1950年进入牛津大学攻读英国文学，毕业后迁居伦敦。
50年代开始写作，作品以小说、游记、文论为主，主要有《毕斯沃斯先生的房子》、《米格尔街》、《自由国度》、《河湾》与“印度三部曲”等。其作品在全球享有盛誉，半个世纪里，将里斯奖、毛姆奖、史密斯奖、布克奖、第一届大卫·柯恩文学奖等收入囊中。1990年，被英国女王封为爵士。2001年，荣获诺贝尔文学奖。
目录信息
读后感
酒店里有wifi，继续写起。 第二次来香港的诺亚方舟。和大家玩了一天游戏，没看书。酒店里几本杂志，翻翻没什么内容。包里带了一本奈保尔的游记，人多也不方便读书。 想来，读书是一件非常私人的事情。人多不适宜，太闹不适宜。公共空间里的私人阅读多少不合时宜。 奈保尔的游记...
评分写了一个读书笔记,但是印度第三部还在看，却不耐烦写了，作者见识是更深入了，可是书本身却变得乏味得多。《幽黯国度》翻译出色，是近年来我看过的文笔精彩，最有个性的翻译，只可惜有些地方用法太俏皮，译者的个性大过了原作。 ***印度，受伤的是文明还是人*** 《幽黯国度》...
评分印度移民后代奈保尔先生生于英国殖民地特立尼达，18岁时前往英国求学，从25岁起他的小说获得各种文学奖项，30岁时首次回到印度做一年旅行，所见所感成集为《幽黯国度：记忆与现实交错的印度之旅》，15年与28年后，他又分别写下两本印度的观感，集结成《印度三部曲》传世。...
评分我在德里甘地国际机场候机的那孤零零的19个小时是这么度过的：听着机场的广播，看奈保尔的这本书，每隔两个小时上次厕所。 机场的厕所幸好不像书中说的如当年屎尿满地，相反更引起你注意的是厕所里从莲蓬头到手纸的全套装备，厕所门口巨大的男女宝莱坞明星的彩色标识，和到处...
评分读完《印度：幽黯国度》，突然对奈保尔这个人产生了兴趣。 他是在特立尼达出生的印度后裔，使用英语写作，被女王册封为爵士，还得过诺贝尔文学奖。用一句话总结：应该是一名德艺双馨的老艺术家。 之前读过他两本书。一本是晚期作品《魔种》，读得混混沌沌，感觉此人故弄玄虚...
用户评价
The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样
评分The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样
评分The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样
评分The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样
评分The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样
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