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The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样

The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样

The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样

The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样

The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样

奈保尔这个名字我真的听了不知道多少次，但一直都不是特别敢读，因为名声太大如雷贯耳，也因为印度这个地方在我心里实在是太大太神秘，不说别的，每年asia week new york上东区几个展印度藏品的画廊就每次在语言上都能震慑到我，从梵文到英文直接就让我懵圈的节奏，觉得这玩意...  

Aziz先生是达尔湖上丽华饭店的一位员工，第一次见面的时候，他打着赤脚，上身穿一件脏兮兮、紧绷绷的灰色套头毛衣，下身系一条宽大的白色棉裤，腰间扎着一根绳子，头上还戴着一顶松垮垮的、羊毛编织的睡帽。Aziz先生说服我们付了三个月的定金，向我们承诺会在房间里安装抽水马...  

很不错的书，我前年就开始看了，这次终于看完了。需要体会。我是把尼泊尔比附着体会的。没有这层比附的话，看起来会有点累，因为作者的身份，和印度这个特殊的观察地点。他的身份，决定了他的既内又外的视角，而且当时是60年代，记住这个时间点也很有意义。比附着今日印度就有...

奈保尔这个名字我真的听了不知道多少次，但一直都不是特别敢读，因为名声太大如雷贯耳，也因为印度这个地方在我心里实在是太大太神秘，不说别的，每年asia week new york上东区几个展印度藏品的画廊就每次在语言上都能震慑到我，从梵文到英文直接就让我懵圈的节奏，觉得这玩意...  

刚从土耳其回来的时候，一干朋友的热情还没消褪，热议要出纪念相册。正在讨论如何编排的时候，行事独到的赵大师或曰小焦又语出惊人了（尽管是通过电子邮件的，但惊人效果未减）：为什么不干脆用奥罕-帕慕克的七本书作为线索串起来呢？大家噤声了，有修养的人可能要说“不便置喙...