In the early eighteenth century, a woman finds herself set adrift from a mutinous ship and cast ashore on a remote desert island. There she finds shelter with its only other inhabitants: a man named Cruso and his tongueless slave Friday. In time, she builds a life for herself as Cruso's companion and, eventually, his lover. At last, they are rescued by a passing ship, but only she and Friday survive the journey back to London. Determined to have her story told, she pursues the eminent man of letters Daniel Foe in the hope that he will truthfully relate her memories to the world. But with Cruso dead, Friday incapable of speech and Foe himself intent on reshaping her narrative, Barton struggles to maintain her grip on the past, only to fall victim to the seduction and tyranny of storytelling itself. Treacherous, elegant and unexpectedly moving, "Foe" remains one of the most exquisitely composed of this pre-eminent author's works.
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although too explicit justify for authorship... still I think it’s genius to let the character speak for the author and write a novel like an high-level essay. I must be the poet of my own story. I will never be willing to only be the muse and beg the mortal to tell the stories inside me.
评分17年3月9日购入
评分第一次接触南非文学 所以这是库切对星期五那么好奇的一个原因？
评分你好呀，鲁滨孙
评分库切的风格真是每一部都不一样。。。
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