Milner's great study, first published in 1950, discusses the nature of creativity and those forces which prevent its expression. In focusing on her own beginner's efforts to draw and paint, she analyses not the mysterious and elusive ability of the genius but - as the title suggests - the all too common and distressing situation of 'not being able' to create. With a new introduction by Janet Sayers, this edition of On Not Being Able to Paint brings the text to the present generation of readers in the fields of psychoanalysis, education and all those, specialist and general audiences alike, with an interest or involvement in the creative process and those impulses impeding it in many fields.
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Psychoanalysis and Art research 的入門書。很驚喜會在豆瓣上看到這本，去年讀我的master of research 的時候，導師第一次tutorial就跟我講讓我讀這本書。Milner用通俗易懂的畫畫的例子還有她作為"beginner"畫傢的identity讓讀者還有非藝術傢群體從 the interplay of inner and outer reality 瞭解 art and everyday life。
评分In for a treat of the psychoanalysis. 文學作為一門藝術分類從來不曾與社科徹底分離
评分Psychoanalysis and Art research 的入門書。很驚喜會在豆瓣上看到這本，去年讀我的master of research 的時候，導師第一次tutorial就跟我講讓我讀這本書。Milner用通俗易懂的畫畫的例子還有她作為"beginner"畫傢的identity讓讀者還有非藝術傢群體從 the interplay of inner and outer reality 瞭解 art and everyday life。
评分Psychoanalysis and Art research 的入門書。很驚喜會在豆瓣上看到這本，去年讀我的master of research 的時候，導師第一次tutorial就跟我講讓我讀這本書。Milner用通俗易懂的畫畫的例子還有她作為"beginner"畫傢的identity讓讀者還有非藝術傢群體從 the interplay of inner and outer reality 瞭解 art and everyday life。
评分In for a treat of the psychoanalysis. 文學作為一門藝術分類從來不曾與社科徹底分離
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