Part I: Voices of the Hong Kong New Wave
1. Do We Hear the City?: Voices of the Stranger in Hong Kong Cinema – Esther M. K. CHEUNG
2. Surfing with the Surreal in Tsui Hark’s Wave: Collage Practice, Diasporic Hybrid Texts, and Flexible Citizenship – TAN See-Kam
3. Ann Hui at the Margin of Mainstream Hong Kong Cinema – Mirana M. SZETO
4. Interview with Ann Hui: On the Edge of the Mainstream – Esther M. K. CHEUNG, Gina MARCHETTI, and TAN See-Kam
5. Urban Nomads, Exilic Reflections: The Cine-Modernism of Patrick Tam – Esther C. M. YAU
Part II: Independent Connections
6. Performing the Margins: Locating Independent Cinema in Hong Kong – Nicole KEMPTON
7. Re-imagining Hong Kong–China from the Sidelines: Fruit Chan's Little Cheung and Durian Durian – Wendy GAN
8. Alternative Perspectives/Alternative Cinemas: Modern Films and the Hong Kong Experimental Scene – Roger GARCIA, John WOO, and Jessica HAGEDORN
9. Specters of Memory: An Artist Statement (Displaced) – Ming-Yuen S. MA
10. Documenting Hong Kong: Interview with Tammy Cheung – Esther M. K. CHEUNG, Nicole KEMPTON, and Amy LEE
11. Between Times and Spaces: Interview with Evans Chan – Esther M. K. CHEUNG and Nicole KEMPTON
12. Hong Kong Cinema and the Film Essay: A Matter of Perception – Mike INGHAM
Part III: Sex in the Asian City
13. Between Comrade and Queer: Stanley Kwan's Hold You Tight – Gina MARCHETTI
14. Interview with Yau Ching: Filming Women in Hong Kong's Queerscape – Gina MARCHETTI
15. On Isaac Leung, Cyber Sex as Pseudo-Science: The Artist's Search for Sex Spaces in Hong Kong (and Beyond) – Katrien JACOBS
16. The Mistress and Female Sexuality – Patricia Brett ERENS
17. Reimagining the Femme Fatale: Gender and Nation in Fruit Chan's Hollywood Hong Kong – Pin-chia FENG
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