Deyan Sudjic was born in London of Yugoslav parents. He divides his time between London, where he is architecture critic for the Observer and a visiting professor at the Royal College of Art, and Milan, where for many years he edited Domus, the international magazine of art, architecture and design. He was Director of the Venice Architecture Biennale in 2002 and is author of the much-praised 100-Miles City, the best-selling Architecture Pack, and monographs on John Pawson, Ron Arad and Richard Rogers.
An exploration of the intimate and inextricable relationship between architecture, power, money and politics in the twentieth century. How and why have presidents, prime ministers, mayors, millionaires and bishops come to share such a fascination with architecture? From Blair to Mitterrand, from Hitler to Stalin to Saddam Hussein, architecture has become an end in itself, as well as a means to an end. This is a book of genuine timeliness, throwing new light on the aspirations and the motivations of the rich and powerful across the world - and on the political nature of contemporary culture.
迪耶•萨迪奇(Deyan Sudjic)现在是英国《建筑与装饰艺术》杂志的编辑和《观察家》杂志的建筑评论家,作为建筑艺术专家和英国皇家艺术学院的客座教授,他曾经策划主持过英国城市建筑设计与英国城市建筑展以及2002年威尼斯建筑艺术双年展等大型艺术盛会。 2003年,在...
評分迪耶•萨迪奇(Deyan Sudjic)现在是英国《建筑与装饰艺术》杂志的编辑和《观察家》杂志的建筑评论家,作为建筑艺术专家和英国皇家艺术学院的客座教授,他曾经策划主持过英国城市建筑设计与英国城市建筑展以及2002年威尼斯建筑艺术双年展等大型艺术盛会。 2003年,在...
評分描述了那些独裁者、民主国家的当权者、大型商业集团的领导者通过建筑来表现个人意志和宣传自己。也是就是通过建筑解读权力。角度很新颖。文章读起来也不枯燥。 缺点就是缺少对应的建筑图片,让我这种对建筑不是很了解的人无法想象出作者所说的建筑到底是什么样子。另一...
評分试想一天地铁不再拥挤嘈杂,乘客可以在奔波时享受课堂般的开放对话,社会将以何等增速发展。 人们的交流需要“事件”作为契机,交流的需求者往往需要主动发起事件。事件在拉近人际距离方面有着难以忽视的神奇功效,尤其体现在打破陌生人间习俗性的冷漠坚冰时:想象中充满竞争...
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