An exploration of the intimate and inextricable relationship between architecture, power, money and politics in the twentieth century. How and why have presidents, prime ministers, mayors, millionaires and bishops come to share such a fascination with architecture? From Blair to Mitterrand, from Hitler to Stalin to Saddam Hussein, architecture has become an end in itself, as well as a means to an end. This is a book of genuine timeliness, throwing new light on the aspirations and the motivations of the rich and powerful across the world - and on the political nature of contemporary culture.
Deyan Sudjic was born in London of Yugoslav parents. He divides his time between London, where he is architecture critic for the Observer and a visiting professor at the Royal College of Art, and Milan, where for many years he edited Domus, the international magazine of art, architecture and design. He was Director of the Venice Architecture Biennale in 2002 and is author of the much-praised 100-Miles City, the best-selling Architecture Pack, and monographs on John Pawson, Ron Arad and Richard Rogers.
迪耶•萨迪奇(Deyan Sudjic)现在是英国《建筑与装饰艺术》杂志的编辑和《观察家》杂志的建筑评论家,作为建筑艺术专家和英国皇家艺术学院的客座教授,他曾经策划主持过英国城市建筑设计与英国城市建筑展以及2002年威尼斯建筑艺术双年展等大型艺术盛会。 2003年,在...
评分《权力与建筑》这样的翻译,再加上封面添上尼采的警句——“建筑是一种权力的雄辩术”,让人很容易把尼采的《权力意志》误以为是这本书的理论支持。我在网上买的这本书,看着封面图片和目录,在看书之前都以为是理论加分析的建筑书。但是当我草草翻过书中提到建筑过程中的...
评分《权力与建筑》这样的翻译,再加上封面添上尼采的警句——“建筑是一种权力的雄辩术”,让人很容易把尼采的《权力意志》误以为是这本书的理论支持。我在网上买的这本书,看着封面图片和目录,在看书之前都以为是理论加分析的建筑书。但是当我草草翻过书中提到建筑过程中的...
评分从建筑本业到时尚潮流,在各种报章杂志里,建筑是一种艺术创作,报导总是环绕着建筑师的设计理念与手法,以及建筑物呈现出来的创作价值。但是事实上,如本书所呈现的:建筑不只是艺术。 作者认为,建筑常常与政治同在。〈觐见元首的长路〉中,亚伯特.施佩尔(Albert Speer)...
评分开篇看了还好,越到后来越发现作者的阐述无力,很多时候都无法自圆其说,索性没有全文精读,只是快速跳读,看了看大概要点(感觉足够了)! 不过还是要感谢作者,以前还真没认真思考过建筑与权力的关系,看书有启示就是好的!
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