What Cinema Is! offers an engaging answer to Andre Bazin'sfamous question, exploringhis'idea of cinema' with a sweeping look back at the near century of Cinema's phenomenal ascendancy. Written by one of the foremost film scholars of our time Establishes cinema’s distinction from the current enthusiasm over audio-visual entertainment, without relegating cinema to a single, older mode Examinescinema's institutions and its social force through the qualities of key films Traces the history of an idea that has made cinema supremely alive to (and in) our times
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综述部分有点拖沓,数字媒介的理论问题一笔带过。把贾科长抬得挺高,说他用特效再现了非数字时期的“电影美学”,使得现实主义的遗产更加复杂;不过我们喜欢用“用力过猛”“过渡依赖喻体”来概括。改编问题,收尾部分德勒兹。
评分综述部分有点拖沓,数字媒介的理论问题一笔带过。把贾科长抬得挺高,说他用特效再现了非数字时期的“电影美学”,使得现实主义的遗产更加复杂;不过我们喜欢用“用力过猛”“过渡依赖喻体”来概括。改编问题,收尾部分德勒兹。
评分综述部分有点拖沓,数字媒介的理论问题一笔带过。把贾科长抬得挺高,说他用特效再现了非数字时期的“电影美学”,使得现实主义的遗产更加复杂;不过我们喜欢用“用力过猛”“过渡依赖喻体”来概括。改编问题,收尾部分德勒兹。
评分好严肃的理论 怕了
评分a rereading of Bazin and his theoretical influence to the digital cinema. Some films examples are not so pertinent, and they seem to from the author's previous essays, and the the final thesis is a bit abrupt.
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