Introduction
The Study of Painting and the Arts of the Book(pp. 1-16)
David J. Roxburgh
Materials and Methods
The Introduction of Paper to the Islamic Lands and the Development of the Illustrated Manuscript(pp. 17-23)
Color and Gold: The Decorated Papers Used in Manuscripts in Later Islamic Times(pp. 24-36)
The Conception and Realization of Painting
The Beginnings of the Illustrated Arabic Book: An Intersection between Art and Scholarship(pp. 37-52)
The Age of Muhammadi(pp. 53-72)
Abolala Soudavar
Selling to the Court: Late-Sixteenth-Century Manuscript Production in Shiraz(pp. 73-96)
Lâle Uluç
Theories and Aesthetics of Painting
The Theory and Practice of Portraiture in the Persian Tradition(pp. 97-108)
Priscilla Soucek
From the "Theory of the Two Qalams" to the "Seven Principles of Painting": Theory, Terminology, and Practice in Persian Classical Painting(pp. 109-118)
Yves Porter
Kamal al-Din Bihzad and Authorship in Persianate Painting(pp. 119-146)
David J. Roxburgh
Later Responses to Paintings and Books
Additions to Illustrated Manuscripts in Ottoman Workshops(pp. 147-161)
Zeren Tanindi
From Translated Word to Translated Image: The Illustrated Şehnâme-i̇ Türkî Copies(pp. 162-176)
Serpi̇l Baǧci̇
A Mughal Code of Connoisseurship(pp. 177-202)
John Seyller
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