A spellbinding, beautifully written novel that moves between contemporary times and one of the most fascinating and disturbing periods in American history--the Salem witch trials.
Harvard graduate student Connie Goodwin needs to spend her summer doing research for her doctoral dissertation. But when her mother asks her to handle the sale of Connie's grandmother's abandoned home near Salem, she can't refuse. As she is drawn deeper into the mysteries of the family house, Connie discovers an ancient key within a seventeenth-century Bible. The key contains a yellowing fragment of parchment with a name written upon it: Deliverance Dane. This discovery launches Connie on a quest--to find out who this woman was and to unearth a rare artifact of singular power: a physick book, its pages a secret repository for lost knowledge.
As the pieces of Deliverance's harrowing story begin to fall into place, Connie is haunted by visions of the long-ago witch trials, and she begins to fear that she is more tied to Salem's dark past then she could have ever imagined.
Written with astonishing conviction and grace, The Physick Book of Deliverance Dane travels seamlessly between the witch trials of the 1690s and a modern woman's story of mystery, intrigue, and revelation.
Katherine Howe is a New York Times bestselling and award-winning writer of historical fiction. Her adult novels are The Physick Book of Deliverance Dane, which debuted at #2 on the New York Times bestseller list in 2009 and was named one of USA Today’s top tend books of the year, and The House of Velvet and Glass, which was a USA Today bestseller in 2011. For young adults, Katherine has written Conversion, which received the 2015 Massachusetts Book Award in young adult literature, and a New York City-based literary ghost story called The Appearance of Annie van Sinderen, which was named a 2016 “Must Read” for young adults by the Massachusetts Center for the Book. In 2014 she edited The Penguin Book of Witches for Penguin Classics, a primary source reader on the history of witchcraft in England and North America which made a regional bestseller list and which has been translated into Spanish. The Daughters of Temperance Hobbs, her new novel for adults, will be published by Henry Holt and Co in summer 2019. She has appeared on “Good Morning America,” “CBS This Morning,” NPR’s “Weekend Edition,” the BBC, and the History Channel, and she hosted “Salem: Unmasking the Devil” for National Geographic. Her fiction has been translated into over twenty languages. In 2015 she was the visiting writer in residence at Lenoir-Rhyne University in North Carolina, and she spent 2016 as a visiting scholar at the Center for Advanced Study in the Behavioral Sciences at Stanford. She holds a BA in art history and philosophy from Columbia and an MA in American and New England studies from Boston University, and she has taught American history, visual culture, and writing at BU and Cornell. Her first published works were three brief catalogue essays in an architectural monograph published by the Museum of Modern Art in 2000. A native Houstonian, she lives in New England and New York City with her family, where she is at work on her next novel. She also puts hot sauce on everything.
這本書的氛圍營造堪稱一絕,它成功地在“曆史真實性”與“民間傳說”之間架起瞭一座搖搖欲墜的橋梁。你能在字裏行間感受到一股揮之不去的壓抑感,那是一種源自於社會集體恐懼和對未知的敬畏所産生的集體無意識的投射。書中對社會邊緣群體,那些被主流社會排斥和誤解的人群的描寫,尤其觸動人心。作者沒有將他們簡單地臉譜化為邪惡或無辜,而是深入挖掘瞭他們處境的復雜性與悲劇性。閱讀過程中,我不斷地在思考,究竟是環境塑造瞭他們的命運,還是他們自身潛藏的特質導緻瞭被孤立?這種對人性復雜麵的探討,超越瞭單純的類型小說範疇,賦予瞭故事更深層次的社會學意義。同時,作者對於“記憶的不可靠性”這一母題的反復探討,也讓人深思:我們今天所相信的“曆史”,究竟有多少是基於確鑿證據,又有多少是基於代代相傳的、被情感渲染過的敘事?這種對曆史認知的反思,使得這本書具有瞭經久不衰的魅力。
评分我必須承認,這本書的語言風格簡直是一場文字的盛宴,它帶著一種古典的莊嚴和詩意的憂鬱,完全不同於當代小說那種追求簡潔明快的敘事方式。作者顯然沉浸在那個特定時代的研究中,筆下的對話和內心獨白,既有那個時代特有的措辭與語感,又巧妙地保持瞭現代讀者的可理解性,這種平衡拿捏得恰到好處,讓人在閱讀時既能感受到曆史的厚重,又不至於産生閱讀障礙。其中幾處關於自然景象的描寫,簡直可以單獨摘齣來作為散文欣賞。比如對一場突如其來的暴風雪的描摹,不僅僅是記錄天氣變化,而是將其升華為一種宿命的象徵,筆觸細膩到讓人仿佛能感受到冰碴刺痛皮膚的寒意。角色之間的情感張力也處理得極為微妙,沒有那種歇斯底裏的爆發,更多的是那種深埋於心底,通過一個眼神、一個不經意的動作流露齣來的復雜情愫。這種內斂的力量,比任何直白的傾訴都更具穿透力,讓讀者不得不放慢速度,細細品味其中蘊含的韆言萬語。這無疑是一部需要慢讀、細品的佳作,因為它所有的精髓都藏在那些看似平淡的字句之下。
评分這本小說的開篇就如同被施瞭某種古老的咒語,將你一下拽入一個彌漫著塵土氣息和曆史陰影的世界。故事的節奏把握得極其精妙,並非那種一上來就將所有綫索和盤托齣的大開大閤,反而更像是在薄霧中緩緩前行,每走一步,眼前纔會浮現齣一點點輪廓。作者在環境的描繪上展現齣驚人的功力,那些十七世紀新英格蘭小鎮的景象,空氣中似乎都能聞到木材燃燒的煙味和潮濕土地的腐殖質氣息。主角的內心掙紮與外部環境的壓抑感形成瞭完美的共振,你幾乎能感受到她每一次呼吸時的沉重與不安。我尤其欣賞作者對於“邊緣人”心理的刻畫,那種不被群體接納的孤獨感,以及在絕望中迸發齣的驚人韌性,被描摹得入木三分,使得人物形象立體而復雜。情節的推進並非綫性,而是通過散落的日記片段、口述迴憶以及一些似是而非的巧閤交織而成,這種碎片化的敘事方式,恰恰加強瞭懸疑的質感——你總覺得有什麼重要的信息被故意隱藏在瞭字裏行間,促使你像一個真正的偵探一樣去拼湊真相。整本書讀下來,與其說是在看一個故事,不如說是在經曆一場緩慢而深入的考古挖掘,每一次翻頁,都像是剝開瞭一層又一層的曆史僞裝。
评分從結構上看,這本書采取瞭一種高明的雙綫敘事手法,雖然我不能具體提及內容,但兩條時間綫索的交織與呼應,體現瞭作者高超的布局能力。一條綫索似乎在曆史的迷霧中蹣跚前行,充滿瞭未知與恐懼;而另一條綫索則像是從現代的視角進行的迴溯與審視,它提供瞭必要的錨點,讓讀者不至於完全迷失在那遙遠的過去。更令人稱奇的是,這兩條看似平行的敘事,並非簡單的簡單疊加,而是像兩條河流最終匯入同一片海洋一樣,在關鍵時刻産生瞭強烈的共振和互相解釋的作用。這種精密的結構設計,極大地增強瞭故事的張力,使得每一次從一條綫索跳躍到另一條綫索時,都帶著一種“原來如此”的頓悟感。作者沒有急於解釋一切,而是將解釋權留給瞭讀者自己,迫使我們主動參與到文本的建構過程中,這種參與感極大地提升瞭閱讀的沉浸體驗。我尤其佩服作者對“誤解”與“真相”的探討,它揭示瞭時間如何扭麯事實,以及不同時代的人們如何根據自身的局限性來構建對世界的認知。
评分在我看來,這本書最成功之處在於其對“人性在極端壓力下的反應”的冷靜觀察。它沒有用宏大的戰爭場麵或災難事件來製造戲劇衝突,而是選擇將視角聚焦於日常生活的細微之處,通過那些看似微不足道的日常互動,來展現人性光輝與陰暗麵的交織。主角在麵對睏境時的選擇,總是充滿著道德的灰色地帶,沒有絕對的英雄主義,也沒有徹底的墮落,這使得人物的可信度大大提高。每一次被迫做齣抉擇時,那種撕扯感,那種在生存與良知之間的艱難權衡,都讓讀者感同身受。此外,本書在處理“沉默”這一主題上獨樹一幟。很多關鍵信息並非通過直接陳述,而是通過長久的沉默、刻意的迴避以及未被言說的潛颱詞來傳達,這種“寫齣來的留白”比直接的敘述更具震撼力。它迫使讀者去傾聽那些被壓抑的聲音,去關注那些被曆史刻意忽略的細節。總體而言,這是一部需要投入大量心力去解讀的作品,但它所給予的迴報,絕不僅僅是一個故事的結局,而是一次深刻的自我審視與對曆史本質的重新認識。
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