I feel that I have been sleeping all my life and I have woken up and opened my eyes to the world. A beautiful world! But impossible to live in.
These are the words of fifteen-year-old Hadiya, blogging from the city of Mosul, Iraq, to let the world know what life is really like as the military occupation of her country unfolds. In many ways, her life is familiar. She worries about exams and enjoys watching Friends during the rare hours that the electricity in her neighborhood is running. But the horrors of war surround her everywhere—weeklong curfews, relatives killed, and friends whose families are forced to flee their homes. With black humor and unflinching honesty, Hadiya shares the painful stories of lives changed forever. “Let’s go back,” she writes, “to my un-normal life.” With her intimate reflections on family, friendship, and community, IraqiGirl also allows us to witness the determination of one girl not only to survive, but to create, amidst the devastation of war, a future worth living for. "Hadiya's authentically teenage voice, emotional struggles and concerns make her story all the more resonant." — Publishers Weekly “Despite all the news coverage about the war in Iraq, very little is reported about how it affects the daily lives of ordinary citizens. A highschooler in the city of Mosul fills in the gap with this compilation of her blog posts about living under U.S. occupation. She writes in English because she wants to reach Americans, and in stark specifics, she records the terrifying dangers of car bombs on her street and American warplanes overhead, as well as her everyday struggles to concentrate on homework when there is no water and electricity at home. Her tone is balanced: she does not hate Americans, and although she never supported Saddam Hussein, she wonders why he was executed... Readers will appreciate the details about family, friends, school, and reading Harry Potter, as well as the ever-present big issues for which there are no simple answers." —Hazel Rochman, Booklist “IraqiGirl has poured reflections of her daily life into her blog, reaching all over the cyber-world from her home in northern Iraq. She writes about the universals of teen life—school, family, TV, food, Harry Potter—but always against the background of sudden explosions, outbursts of gunfire, carbombs, death.… [A]n important addition to multicultural literature.” —Elsa Marston, author of Santa Claus in Baghdad and Other Stories About Teens in the Arab World “A book as relevant to adults as teenagers and children. Hadiya’s clear, simple language conveys the feelings of a teenager, offering a glimpse into the daily life of a professional middle-class Iraqi family in an ancient-modern city subjected to a brutal occupation.”
—Haifa Zangana, author of City of Widows: An Iraqi Woman's Account of War and Resistance
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这本书的语言风格,用一个词来形容就是“华丽的克制”。作者的词汇量深不可测,每一个句子都像是经过精心打磨的宝石,闪烁着复杂的光芒。但奇妙的是,尽管用词考究,他却很少有炫耀辞藻的倾向,所有的复杂性都服务于情感的精确传达。我尤其欣赏他对“沉默”的描绘。很多时候,书中最重要的信息是通过角色们不愿说出口的话语、未完成的动作以及眼神的交错来传递的。那些大段的留白,比任何直接的文字描述都更有力量。我花了很长时间去揣摩主角在某个雨夜紧握着那枚旧硬币时,内心到底经历了怎样一场风暴——书里没有给出答案,但那种压抑到极致的情绪张力,让我几乎能听到自己心跳加速的声音。此外,作者对地域文化的融入也极为自然和深刻,那种异域风情不是生硬地堆砌标签,而是内化为角色的呼吸和习惯,让人感觉那个虚构的地点真实得仿佛触手可及,充满了历史的厚重感和宿命感。
评分说实话,如果不是冲着朋友的强烈推荐,我差点因为封面而错过这本书。它绝对属于那种需要“沉下心来啃”的类型,绝非轻松的床头读物。这本书的议题设置非常宏大,探讨了记忆的不可靠性、集体创伤的代际传递,以及个体在面对历史洪流时的无力感。它不是在讲述一个简单的故事,而是在搭建一个关于“存在”的哲学框架。我最佩服作者处理“时间”的方式,不同时间段的叙述线索像两条河流,看似平行前进,却在关键节点实现了深层汇合,这种结构让读者不断地对之前读取的信息进行重新评估和修正。对于那些喜欢在阅读中寻找隐藏线索和符号的读者来说,这本书简直是一个宝藏,我敢肯定,初读时漏掉的细节,在第二次重读时会带来全新的震撼。它要求读者像一个侦探一样,不仅要关注故事的“是什么”,更要关注“如何被讲述”。这种智力上的参与感,是许多情节驱动型小说无法提供的。
评分这本小说简直是场文字的迷宫,我花了整整一个周末才把它啃完,感觉像是经历了一场马拉松式的阅读。作者在构建人物关系网的精细程度上,简直到了令人发指的地步,每一个次要角色,哪怕只是在街角匆匆擦肩而过的那个卖花老妇,似乎都有着自己一段完整且令人心碎的故事线。我尤其欣赏他对于环境描写的细腻,那种对光影、气味乃至空气中微小尘埃的捕捉,仿佛把我整个人都拽进了故事发生地的真实情境之中。比如说,书中对那座古老图书馆内部湿润霉味的描述,我甚至能想象到自己手指拂过泛黄书页时的那种粗糙触感。叙事节奏的把控也相当高明,时而如涓涓细流般缓慢铺陈,让人沉浸在角色的内心挣扎中无法自拔;时而又猛然加速,关键时刻的对话如同利剑出鞘,直击人心最脆弱的部分。唯一让我感到略微疲惫的是,作者似乎过于沉迷于哲学思辨的片段,有些章节的密度实在太高,需要反复阅读才能勉强跟上其思想的跳跃。然而,正是这种不迎合读者的挑战性,让读完之后产生的满足感也格外强烈,它不仅仅是一个故事,更像是一次智力上的洗礼。读完之后,我花了很久才从那个世界里抽离出来,那种强烈的代入感至今挥之不去。
评分这本书的氛围营造功力实在是太强大了,读完后,我感觉自己像是刚从一场漫长而压抑的梦中醒来,空气中似乎还残留着那种潮湿、微凉的感受。作者成功地在现实主义和某种近乎超现实的、梦魇般的意象之间搭建了一座桥梁。书中的一些场景,比如主角在深夜穿过空无一人的集市,那种被世界遗弃的孤独感,描写得极其到位。它不是那种依靠突发惊吓来制造恐怖,而是通过持续的、低沉的、心理层面的不安感,慢慢侵蚀读者的心防。我不得不提一下,这本书的配乐(如果它有的话)一定是那种缓慢、重复且略带不和谐音的古典乐。它让你在阅读过程中持续处于一种紧张但又无法逃离的状态。那些关于身份认同的探讨,并没有提供任何容易接受的答案,反而将问题抛回给了读者:在破碎的环境中,我们如何定义“我们是谁”?这种开放式的结局和深刻的反思性,让这本书的价值远远超越了故事本身。
评分我得说,这本书的结构设计简直是天才之举,它彻底颠覆了我对传统叙事线性结构的认知。作者采用了碎片化的手法,将时间线打散重组,读起来就像是在拼一块极其复杂的、没有参照物的立体拼图。一开始,我完全被那种跳跃感弄得晕头转向,每一个章节都像是一扇通往不同时空节点的门,我得不断地在记忆和推测之间来回切换,试图将这些散落的珍珠串成一串完整的项链。这种阅读体验无疑是对读者的极大考验,它拒绝提供任何轻松的捷径,要求读者主动投入精力去构建意义。特别是其中穿插的那些手稿片段和日记摘录,它们以一种近乎伪纪录片的方式,为核心情节提供了多重视角和模糊性,让你永远无法确定哪个版本才是“真相”。这种刻意的模糊处理,使得角色的动机变得极其暧昧而引人入胜。高潮部分的处理更是别出心裁,它没有采用传统的戏剧性爆发,而是选择了一种近乎冷淡的、缓慢的崩塌,这种反高潮的处理方式,反而造成了更深层次的、令人不安的情绪回响。这本书的价值不在于它告诉了你什么,而在于它让你在阅读过程中,被迫思考“信息本身是如何被构建和呈现的”。
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