Screening Modernism

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András Bálint Kovács is associate professor in the Institute for Art Theory and Media Research at ELTE University in Budapest.

出版者:University Of Chicago Press
作者:András Bálint Kovács
出品人:
頁數:432
译者:
出版時間:2008-1-15
價格:USD 31.00
裝幀:Paperback
isbn號碼:9780226451657
叢書系列:
圖書標籤:
  • 電影研究 
  • 歐洲電影 
  • Cinema 
  • narrative 
  • dissertation 
  • CINEMA 
  •  
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Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema’s postwar heyday.

Spanning from the 1950s to the 1970s, András Bálint Kovács’s encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovács begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema.

Exploring not only modernism’s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.

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非常務實的一本理論書,在選取閤適定義的前提下準確梳理瞭特殊年代特殊電影的發展脈絡

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