References to clothing in the nineteenth-century naturalist novel have traditionally been read merely as examples of descriptive detail. Thompson, in her groundbreaking study on Zola, rescues clothing from the margins of representation, and draws on a wide range of twentieth-century feminist and queer theory to demonstrate that clothing troubles such binary pairs as 'masculine' and 'feminine', 'normal' and 'perverse', 'natural' and 'artificial' that lie at the foundations of Zolian naturalism. The author's investment in the signifying power of clothing in the Rougon-Macquart is such that the novels can no longer be read as unproblematic illustrations of literary naturalism; in fact its intensity demands that Zola's relationship to literature and his descriptions of Second Empire society be reassessed. (Legenda 2003)
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有