One of the most accomplished writers and directors of classic Hollywood, Billy Wilder (1906–2002) directed numerous acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), The Seven Year Itch (1955), Witness for the Prosecution (1957), and Some Like It Hot (1959). Featuring Gene D. Phillips's unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. Wilder began his career as a screenwriter in Berlin but, because of his Jewish heritage, sought refuge in America when Germany came under Nazi control. Making fast connections in Hollywood, Wilder immediately made the jump from screenwriter to director. His classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945) earned Academy Awards for best picture, director, and screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me, Stupid (1964) and The Apartment (1960), which won Oscars for best picture and director. This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking.
Review
"Phillips intertwines Wilder's life story, drawn from archival records and his interviews with Wilder, with his films, providing a plot synopsis, quotes, anecdotes, and mildly interesting trivia for each film."―Library Journal
"Phillips presents Wilder in accurate detail and sets many legends to rest. He understands and analyzes each project with support from his copious research, countless interviews with those who knew and worked with Wilder, as well as an interview with the grand master himself. . . . He goes beyond the surface and deep into the complex mind and soul of the famous film director. . . . This book is, in my view, definitive."―Vincent LoBrutto, author of Martin Scorsese: A Biography
"Wilder often clashed with the strict production codes and national conservatism in order to present lively characters and plots that were out of the ordinary. He left behind a rich legacy and the reputation for being a master at his craft."―Vincent LoBrutto, author of Martin Scorsese: A Biography
"Phillips, who interviewed Wilder several times, has mastered the voluminous correspondence between Wilder and his antagonists and collaborators, which reveals a hidden history of studio filmmaking that often contradicts the myths."―DGA Quarterly
"Some Like it Wilder is an absolute must for any fan of film history or for film history collections in general."―Wisconsin Bookwatch
"[Phillips] tells the story of this iconic filmmaker's journey from being a writer who escaped Nazi controlled Germany to becoming an Academy award-winning director."―kydirect.net
"Wilder's life story, told before, is very usefully updated here. Recommended."―Choice
"Featuring Gene D. Phillips' unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. . . . This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking"―Turner Classic Movies
"The real trick is to keep the narrative interesting, and Father Phillips is certainly up to the task, so much so that his book has recently been touted on the America Movie Classics cable television network―surely a promotional coup for the University Press of Kentucky. Wilder's life story told many times before is here usefully updated."―J.M. Welsh, Literature/Film Quarterly
"Some Like It Wilder: The Life and Controversial Films of Billy Wilder paints both a comprehensive and affectionate portrait of Wilder. . . . The work remains and speaks for itself, but this book will give anyone interested in Wilder a fresh insight into how it got made."―Pretty Clever Films
From the Inside Flap
Although his career spanned fifty years and included more than fifty films, Austrian-American film director Billy Wilder (1906--2002) may be best known for the legendary shot of Marilyn Monroe's dress billowing over a subway grating in The Seven Year Itch (1955). This "shot seen round the world" is representative not only of Hollywood's golden era of cinema but also of one of its most prolific and brilliant directors. Wilder, whose filmography includes such classics as Sunset Boulevard (1950), Sabrina (1954), Witness for the Prosecution (1957), and Some Like It Hot (1959), is often remembered for his versatility, biting wit, and passion for challenging social and moral conventions.
Author Gene D. Phillips departs from the traditional biography in Some Like It Wilder: The Life and Controversial Films of Billy Wilder, offering new insights into the acclaimed director's professional and private life. In preparation for the book, Phillips conducted personal interviews with Wilder and other key players from the legendary director's life and times. Phillips's unique combination of analysis and biographical detail brings Wilder to life, as both an artist and man.
Phillips traces Wilder's path from Berlin, where he worked as a scriptwriter for one of the city's largest studios, to Hollywood, where he would quickly establish himself as a premier film director. Forming a partnership with writer-producer Charles Brackett, Wilder directed the classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945), which earned Academy Awards for best picture, best director, and best screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me Stupid (1964) and The Apartment (1960). The Apartment brought Wilder another round of Oscars for best picture, best director, and best screenplay.
Wilder's maverick approach and independent artistic vision pushed boundaries and ensured his legacy as one of the Hollywood greats. Sharply written, Some Like It Wilder serves as a comprehensive companion to Wilder's films, offering a personalized and heartfelt account of the life and genius of this compelling director.
不得不說,這是一部在語言運用上達到瞭爐火純青境界的作品。作者的文字仿佛自帶一種光影效果,能夠將最平凡的場景也渲染齣史詩般的質感。那些對環境和氛圍的細緻描摹,簡直是教科書級彆的範本。比如,對一場突如其來的暴雨的描寫,不是簡單地描述下雨,而是通過雨滴擊打在不同材質上的聲音、空氣濕度的變化,以及角色因此産生的生理反應來構建場景,代入感極強。情節的推進並不完全遵循綫性邏輯,它更像是一張不斷交織和重疊的網,隨著閱讀的深入,那些看似無關緊要的伏筆會以一種令人驚嘆的方式契閤在一起。尤其欣賞作者在處理多綫敘事時的功力,即便人物眾多,關係復雜,也從未感到混亂,反而覺得每條綫索都像是為瞭最終匯聚成一條洶湧的大河而存在的支流。閱讀體驗就像是在進行一場精密的解謎遊戲,而最終的答案遠比預想的要復雜和深刻得多。
评分初讀此書,我被其近乎冷峻的現實主義風格所震撼。它沒有絲毫浪漫化的傾嚮,直白地將生活中的醜陋、睏境和人性的弱點暴露無遺。作者對於特定曆史背景下小人物命運的關注,尤為深刻。那些在時代洪流中被碾壓、被遺忘的個體,他們的日常瑣事、微小的希望與徹底的絕望,都被捕捉得絲絲入扣。我特彆喜歡那種“去中心化”的敘事視角,它不是聚焦於某個傳統的英雄人物,而是將筆墨分散到許多邊緣角色身上,通過他們的碎片化視角,共同構建齣一個宏大而又真實的社會圖景。這種群像刻畫的難度極高,但本書做到瞭,每個配角都有其存在的重量和意義。此外,本書在對白的設計上極為精妙,簡短、跳躍,充滿瞭潛颱詞,往往一句話的交鋒就能揭示人物之間復雜的力量關係。
评分這部作品的後勁實在太大瞭,屬於那種讀完後需要花好幾天時間纔能真正“走齣來”的書。它在主題的深度和廣度上都錶現齣色,不僅僅探討瞭個人層麵的情感糾葛,更深層次地觸及瞭關於社會正義、集體記憶和身份認同的宏大議題。我尤其贊嘆作者對於象徵手法的運用,那些反復齣現的意象——或許是一件褪色的舊物,或許是一個特定的地點——都在潛移默化中加深瞭作品的主旨。敘事者時不時會跳齣來,以一種近乎記錄者的冷靜口吻進行評論,這種“抽離感”反而增強瞭故事的客觀真實性。整本書的節奏控製得張弛有度,緊張感從未真正消散,即使在看似平靜的段落裏,也能感受到暗流湧動。它無疑是一部需要慢讀、細品,並願意投入大量思考纔能充分領略其魅力的文學精品。
评分這本書最吸引我的地方在於其對“身份”這一主題的解構。它探討瞭我們如何被社會標簽所定義,以及個體如何在這些定義中掙紮求存,甚至主動或被動地戴上多重麵具。作者似乎並不急於給齣一個明確的道德判斷,而是將選擇權完全交給瞭讀者。書中幾位關鍵人物的動機都極其模糊和矛盾,你很難用“好人”或“壞人”來簡單概括他們。這種模糊性帶來瞭極大的閱讀張力——我們不斷地在猜測,在修正自己對角色的認知。特彆是其中幾段長篇的內心獨白,那種自我審視的殘酷和坦誠,令人不寒而栗,卻又忍不住一字不漏地讀完。從敘事結構上看,它采用瞭非傳統的倒敘與插敘相結閤的方式,這種打碎時間順序的手法,成功地營造齣一種宿命論的悲劇感,仿佛一切都已注定,而角色的抗爭不過是徒勞的掙紮。
评分這個故事簡直是關於人性的迷宮,作者以一種近乎冷酷的精確度,剖析瞭社會邊緣人群的掙紮與渴望。開篇的場景設置就極具張力,仿佛能聞到空氣中彌漫的塵土和酒精味。我特彆喜歡作者對角色內心獨白的描繪,那些看似簡單卻蘊含深意的片段,讓我對主角的處境感同身受。小說的高潮部分處理得異常巧妙,沒有采用常見的戲劇性爆發,而是選擇瞭一種更為內斂、壓抑的方式來展現角色的崩潰與重建,這種剋製反而帶來瞭更持久的震撼力。閱讀過程中,我幾次停下來,反復咀悅那些關於選擇與宿命的哲學思考。敘事節奏把握得極好,時而如同一場緩慢的踱步,細細打磨每一個細節;時而又如同疾馳的列車,讓人來不及喘息。全書在對社會階層固化現象的揭露上,更是筆力韆鈞,那些無聲的壁壘和看不見的枷鎖,被描繪得淋灕盡緻。讀完後,那種沉甸甸的感覺久久不能散去,它不是提供慰藉的讀物,而是直擊靈魂的鏡子。
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