圖書標籤: 馬勒 音樂 音樂參考書 Mahler Lebrecht
发表于2024-11-28
Why Mahler? pdf epub mobi txt 電子書 下載 2024
Product Description
Norman Lebrecht—noted music critic, novelist, and author of the classic Mahler Remembered—explains why Gustav Mahler, relatively obscure in his own time, has become the most popular symphonist of ours.
Although he was well regarded as a conductor, when Gustav Mahler died in 1911 his compositions were considered “incomprehensible” and “unlistenable.” In the 1960s, with Leonard Bernstein’s passionate advocacy, Mahler’s star began to rise. And in 2009, superstar conductor Gustavo Dudamel chose a Mahler symphony for his first concert with the Los Angeles Philharmonic. Mahler had famously remarked that his “time will come.” Why Mahler? explores how we have come to find ourselves in Mahler’s time.
Norman Lebrecht approaches the question from an unusual and personal angle, discussing how the composer’s music has affected his own life as well as the cultural life of the twentieth century. He travels to Mahler’s birth- and resting places; speaks with surviving members of his family; and delves into why, for many fans, Mahler is not just a composer but a religion, and why, even for less-ardent listeners, Mahler’s popularity has eclipsed that of Haydn or Beethoven.
Equal parts biography, memoir, and appreciation, this is a book that will allow us a fuller understanding than we have ever had of Gustav Mahler and of his abiding place in our musical sensibilities.
About the Author
NORMAN LEBRECHT is the author of many books about music, including the international best sellers The Maestro Myth and Who Killed Classical Music? He is a music columnist for the London Evening Standard, a cultural commentator on Bloomberg.com, and presenter of The Lebrecht Interview series on BBC Radio 3 in Great Britain. He lives in London.
不喜歡Norman Lebrecht的文風,俗,而且廢話太多
評分不喜歡Norman Lebrecht的文風,俗,而且廢話太多
評分不喜歡Norman Lebrecht的文風,俗,而且廢話太多
評分不喜歡Norman Lebrecht的文風,俗,而且廢話太多
評分不喜歡Norman Lebrecht的文風,俗,而且廢話太多
今年是肖邦年。 不,还是舒曼年,巴拉基列夫年,雨果•伍尔夫年,佩尔戈莱西年,塞缪尔•韦斯利年,凯鲁比尼年,托马斯•阿恩年,以及任何生卒年末尾是十或六十的名人的周年。 但从管弦乐音乐会的汹涌数量上看,2010年是马勒年。还有2011年,马勒的生卒年分别是1860年和1...
評分今年是肖邦年。 不,还是舒曼年,巴拉基列夫年,雨果•伍尔夫年,佩尔戈莱西年,塞缪尔•韦斯利年,凯鲁比尼年,托马斯•阿恩年,以及任何生卒年末尾是十或六十的名人的周年。 但从管弦乐音乐会的汹涌数量上看,2010年是马勒年。还有2011年,马勒的生卒年分别是1860年和1...
評分今年是肖邦年。 不,还是舒曼年,巴拉基列夫年,雨果•伍尔夫年,佩尔戈莱西年,塞缪尔•韦斯利年,凯鲁比尼年,托马斯•阿恩年,以及任何生卒年末尾是十或六十的名人的周年。 但从管弦乐音乐会的汹涌数量上看,2010年是马勒年。还有2011年,马勒的生卒年分别是1860年和1...
評分今年是肖邦年。 不,还是舒曼年,巴拉基列夫年,雨果•伍尔夫年,佩尔戈莱西年,塞缪尔•韦斯利年,凯鲁比尼年,托马斯•阿恩年,以及任何生卒年末尾是十或六十的名人的周年。 但从管弦乐音乐会的汹涌数量上看,2010年是马勒年。还有2011年,马勒的生卒年分别是1860年和1...
評分今年是肖邦年。 不,还是舒曼年,巴拉基列夫年,雨果•伍尔夫年,佩尔戈莱西年,塞缪尔•韦斯利年,凯鲁比尼年,托马斯•阿恩年,以及任何生卒年末尾是十或六十的名人的周年。 但从管弦乐音乐会的汹涌数量上看,2010年是马勒年。还有2011年,马勒的生卒年分别是1860年和1...
Why Mahler? pdf epub mobi txt 電子書 下載 2024