The Art of Fugue pdf epub mobi txt 電子書下載 2024

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Joseph Kerman

University of California Press

2008-2-15

198

USD 19.95

Paperback

9780520253896

圖書標籤: 音樂 Musicology 巴赫 joseph Music Kerman Bach 古典音樂

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发表于2024-06-26

The Art of Fugue epub 下載 mobi 下載 pdf 下載 txt 電子書下載 2024

The Art of Fugue pdf epub mobi txt 電子書下載 2024

圖書描述

Fugue for J.S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues - some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by a CD with new performances made specially for this volume. In addition to the complete scores for all the music discussed in the book, the CD features Karen Rosenak, piano, playing two preludes and fugues from "The Well-Tempered Clavier - C Major, Book 1"; and "B Major, Book 2" - and recordings by Davitt Moroney of the Fughetta in C Major, BWV 952, on clavichord; the Fugue on 'Jesus Christus unser Heiland', BWV 689, on organ; and, the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.

The Art of Fugue 下載 mobi epub pdf txt 電子書

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The Art of Fugue pdf epub mobi txt 電子書下載

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晚年的科爾曼選取瞭16首巴赫為鍵盤樂所作的賦格進行分析，其中並不包括帶踏闆的管風琴賦格，意思是讓讀者自己在鋼琴上反復品讀他為這些賦格所指齣的各個妙處。科爾曼的分析和其他的研究者一樣，都是極度注重細節，但是就像他所說“God is in the details, so is Bach”，掌握這些作品並不能僅僅靠聽它們的錶麵效果。在諸多研究巴赫賦格的作品中，科爾曼引用最多的是Riemann在一百多年前齣版的作品，其中包括很多主觀的稱贊與評斷。但盡管今年的學術作品都努力從客觀齣發，其實主觀的情感仍然潛藏著。科爾曼將自己的主觀感受結閤在自己的分析中，他並不強求自己給齣全麵的分析，而是著力解釋他會有這些感受，這更傾嚮老派的寫作方式。但是對於學習巴赫作品的人們來說，這樹立瞭一個很好的榜樣。

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