The Art of Fugue pdf epub mobi txt 电子书下载 2024

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Joseph Kerman

University of California Press

2008-2-15

198

USD 19.95

Paperback

9780520253896

图书标签: 音乐 Musicology 巴赫 joseph Music Kerman Bach 古典音乐

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发表于2024-06-26

The Art of Fugue epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2024

The Art of Fugue pdf epub mobi txt 电子书下载 2024

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Fugue for J.S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues - some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by a CD with new performances made specially for this volume. In addition to the complete scores for all the music discussed in the book, the CD features Karen Rosenak, piano, playing two preludes and fugues from "The Well-Tempered Clavier - C Major, Book 1"; and "B Major, Book 2" - and recordings by Davitt Moroney of the Fughetta in C Major, BWV 952, on clavichord; the Fugue on 'Jesus Christus unser Heiland', BWV 689, on organ; and, the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.

The Art of Fugue 下载 mobi epub pdf txt 电子书

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The Art of Fugue pdf epub mobi txt 电子书下载

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晚年的科尔曼选取了16首巴赫为键盘乐所作的赋格进行分析，其中并不包括带踏板的管风琴赋格，意思是让读者自己在钢琴上反复品读他为这些赋格所指出的各个妙处。科尔曼的分析和其他的研究者一样，都是极度注重细节，但是就像他所说“God is in the details, so is Bach”，掌握这些作品并不能仅仅靠听它们的表面效果。在诸多研究巴赫赋格的作品中，科尔曼引用最多的是Riemann在一百多年前出版的作品，其中包括很多主观的称赞与评断。但尽管今年的学术作品都努力从客观出发，其实主观的情感仍然潜藏着。科尔曼将自己的主观感受结合在自己的分析中，他并不强求自己给出全面的分析，而是着力解释他会有这些感受，这更倾向老派的写作方式。但是对于学习巴赫作品的人们来说，这树立了一个很好的榜样。

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