For so many of us a Jane Austen novel is much more than the epitome of a great read. It is a delight and a solace, a challenge and a reward, and perhaps even an obsession. For two centuries Austen has enthralled readers. Few other authors can claim as many fans or as much devotion. So why are we so fascinated with her novels? What is it about her prose that has made Jane Austen so universally beloved?
In essays culled from the last one hundred years of criticism juxtaposed with new pieces by some of today’s most popular novelists and essayists, Jane Austen’s writing is examined and discussed, from her witty dialogue to the arc and sweep of her story lines. Great authors and literary critics of the past offer insights into the timelessness of her moral truths while highlighting the unique confines of the society in which she composed her novels. Virginia Woolf examines Austen’s maturation as an artist and speculates on how her writing would have changed if she’d lived twenty more years, while C. S. Lewis celebrates Austen’s mirthful, ironic take on traditional values.
Modern voices celebrate Austen’s amazing legacy with an equal amount of eloquence and enthusiasm. Fay Weldon reads Mansfield Park as an interpretation of Austen’s own struggle to be as “good” as Fanny Price. Anna Quindlen examines the enduring issues of social pressure and gender politics that make Pride and Prejudice as vital today as ever. Alain de Botton praises Mansfield Park for the way it turns Austen’s societal hierarchy on its head. Amy Bloom finds parallels between the world of Persuasion and Austen’s own life. And Amy Heckerling reveals how she transformed the characters of Emma into denizens of 1990s Beverly Hills for her comedy Clueless. From Harold Bloom to Martin Amis, Somerset Maugham to Jay McInerney, Eudora Welty to Margot Livesey, each writer here reflects on Austen’s place in both the literary canon and our cultural imagination.
We read, and then reread, our favorite Austen novels to connect with both her world and our own. Because, as A Truth Universally Acknowledged so eloquently demonstrates, the only thing better than reading a Jane Austen novel is finding in our own lives her humor, emotion, and love.
苏珊娜•卡森:耶鲁大学法语系博士,曾执教于牛津大学、格拉斯哥大学、哈佛大学等,讲授英国与法国文学。
(简•奥斯丁,在英国小说的发展史上有承上启下的意义,被誉为地位“可与莎士比亚平起平坐”的作家。)
摘自《南方都市报》 作者: 胡 晔 我是个“简迷”(英文Janeites,指简•奥斯丁的铁杆粉丝),在杂志上发表过的第一篇文章,主题就是奥斯丁,我在文章中写道:“究竟是什么吸引了我呢?看来看去,她最精彩的就是对话。”奥斯丁机智幽默的对白,她那种“涉笔成趣,笔中带...
评分简•奥斯丁在一次参加汉普郡的宴会后,回家拿起笔写道:“波利特太太的裙子十分昂贵,可是,花了这么多钱,她竟然衣不遮体。倒是让我们欣赏了她裙子的花边和平纹细布面料。”跨十八、十九世纪的奥斯丁,大约难以理解我们现今的穿着时尚竞逐“衣不遮体”了,昔日的温婉讽刺...
评分这本书主要涉及到两册简·奥斯丁的作品《傲慢与偏见》和《曼斯菲尔德庄园》,前者写于1813年,后者作于1811年,内容与文风大同小异,都是关于家族与爱情的冲突故事,历史背景都放置在西方社会由农庄经济向资本主义过度时期,所以,没有读过简·奥斯丁作品的读者可以绕开了。 回...
评分摘自《南方都市报》 作者: 胡 晔 我是个“简迷”(英文Janeites,指简•奥斯丁的铁杆粉丝),在杂志上发表过的第一篇文章,主题就是奥斯丁,我在文章中写道:“究竟是什么吸引了我呢?看来看去,她最精彩的就是对话。”奥斯丁机智幽默的对白,她那种“涉笔成趣,笔中带...
评分摘自《南方都市报》 作者: 胡 晔 我是个“简迷”(英文Janeites,指简•奥斯丁的铁杆粉丝),在杂志上发表过的第一篇文章,主题就是奥斯丁,我在文章中写道:“究竟是什么吸引了我呢?看来看去,她最精彩的就是对话。”奥斯丁机智幽默的对白,她那种“涉笔成趣,笔中带...
虽然是为了论文啃完的 不过书不错~不枉花了那么多银子了。。
评分虽然是为了论文啃完的 不过书不错~不枉花了那么多银子了。。
评分why the greats read the great
评分why the greats read the great
评分C.S. Lewis, Diane Johnson,Ian Watt的很好,Alain De Botton的井井有条,W.Somerset Maugham非常八卦,Woolf的是传统名篇,Byatt那篇其实很透彻,翻译成汉语有一定难度,有两位纽约客作者,都写得不怎么样,不如纽约书评
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