Hui-shu Lee is an associate Prof. in Art History at UCLA. She received her doctorate degree in Chinese art history from Yale University in 1994 after first studying at National Taiwan University and working in the National Palace Museum. Her field of specialization is Chinese painting and visual culture, with a particular focus at this time on imperial patronage of the Song dynasty (960-1279) and the role of court women in the production of art. Dr. Lee's research to date has included courtesan culture of Ming dynasty Nanjing, the well-known 17th century individualist painter Bada Shanren, and a number of 20th century artists. She has received a number of awards and fellowships, including a Getty postdoctoral grant. Her most recent publication is Exquisite Moments: West Lake & Southern Song Art (New York: China Institute, 2001). She is currently working on a book manuscript titled Behind the Screen and Beyond: Chinese Imperial Women's Patronage and Practice of Art in Song China.
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展覽圖錄, 主要是南宋的團扇,很喜歡介紹西湖畫捲的部分和南宋幾代皇帝贊助下的不同藝術品。
评分其實是為呂洞賓那幅看的(在整個catalog裡麵屬於一個異數)。當做典型南宋扇麵的部分整理來看比較有用,但是論述還是比較初步;與想象中的“鳳凰山”相關的幾張很有趣,現在看來平平無奇的真實山水,原來當初被它們這麼奇想過?
评分展覽圖錄, 主要是南宋的團扇,很喜歡介紹西湖畫捲的部分和南宋幾代皇帝贊助下的不同藝術品。
评分展覽圖錄, 主要是南宋的團扇,很喜歡介紹西湖畫捲的部分和南宋幾代皇帝贊助下的不同藝術品。
评分其實是為呂洞賓那幅看的(在整個catalog裡麵屬於一個異數)。當做典型南宋扇麵的部分整理來看比較有用,但是論述還是比較初步;與想象中的“鳳凰山”相關的幾張很有趣,現在看來平平無奇的真實山水,原來當初被它們這麼奇想過?
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