Body in Question pdf epub mobi txt 电子书下载 2024

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Jerome Silbergeld

Princeton University Press

2008-11-2

176

USD 41.95

Paperback

9780691139463

图书标签: 电影姜文谢柏柯评论论文艺术评论艺术史艺

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发表于2024-11-23

Body in Question epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2024

Body in Question pdf epub mobi txt 电子书下载 2024

图书描述

In the Heat of the Sun and Devils on the Doorstep are two of the finest and most honored Chinese films ever made. Body in Question is the first book to thoroughly examine these groundbreaking works and one of the first books in English to study individual Chinese films in depth.

These two award-winning films by renowned director-actor Jiang Wen and cinematographer Gu Changwei are unsurpassed in China for their exquisite attention to realistic detail, their stylistic range, their emotional breadth, and their razor-like commentary on contemporary China. In scenes that range from hilarious to horrific, China's ruling elite and its complicated relationship with Japan are subjected to the filmmakers' ironic treatment and profound concern with social justice. In the Heat of the Sun has become unavailable, and Devils on the Doorstep has been suppressed by the Chinese government. Jerome Silbergeld gives these two important films careful and extended study in Body in Question. He uses cinema and photography, political history, anthropology and philosophy, Chinese rhetorical traditions, and concepts of justice to explore the films' visual complexity and intellectual force, providing a unique look at the artistry and pressing concerns of Chinese cinema today. An accompanying DVD includes major clips from both films.

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Body in Question pdf epub mobi txt 电子书下载

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用户评价

评分☆☆☆☆☆

《阳光》强奸戏：“想象她曾渴望但现在背叛了他，马小军将米兰视作羞耻物品，是他构建的神话在炎热糟糕的夏天的破裂。后来证明强大的是米兰，没能让马小军推倒，正如D顺利渡过了那一年的青年动荡。后者同样以对身体政治的真诚欲求开始，却以妄图进入国家内部圣域的暴力失败终结。”然后就是《阳光》彩色变黑白，和《鬼子》黑白变彩色的发现吧。套中国传统和到处引作品感觉还蛮不爽的。

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没有advanced theories，但重建了电影文本阅读的一种可能，即在文化语境中建立一种联系的范式。其中的一些观点让人哭笑不得，但又不能否认。

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《鬼子来了》部分：1. 说得好听点是文章从cinematic style到thematic interpretation、historical/cultural/social investigation面面俱到，不好听点就是逻辑跳跃、缺乏中心论点（先讲姜文这部的摄影如何在新中国强调contrivance的摄影中独树一帜到电影中的animal和中国人的racism blabla）；2. 强烈不认同文章最后说战争只是situational的观点，讲真，拿一个七十年代的心理学/行为学实验做支撑真的有说服力吗？实验适用的是个individual层面上的问题，而战争显然不是；3. 对电影内容的复述太啰嗦，而且还有几处有误；4. 您08年的书怎么不讲姜文在《鬼》后其实还拍了电影呢？？

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