For better or worse, federal judges in the United States today are asked to resolve some of the nation's most important and contentious public policy issues. Although some hold onto the notion that federal judges are simply neutral arbiters of complex legal questions, the justices who serve on the Supreme Court and the judges who sit on the lower federal bench are in fact crafters of public law. In recent years, for example, the Supreme Court has bolstered the rights of immigrants, endorsed the constitutionality of school vouchers, struck down Washington D.C.'s blanket ban on handgun ownership, and most famously, determined the outcome of the 2000 presidential election. The judiciary now is an active partner in the making of public policy. Judicial selection has been contentious at numerous junctures in American history, but seldom has it seemed more acrimonious and dysfunctional than in recent years. Fewer than half of recent appellate court nominees have been confirmed, and at times over the past few years, over ten percent of the federal bench has sat vacant. Many nominations linger in the Senate for months, even years. All the while, the judiciary's caseload grows. "Advice and Dissent" explores the state of the nation's federal judicial selection system-a process beset by deepening partisan polarization, obstructionism, and deterioration of the practice of advice and consent. Focusing on the selection of judges for the U.S. Courts of Appeals and the U.S. District Courts, the true workhorses of the federal bench, Sarah A. Binder and Forrest Maltzman reconstruct the history and contemporary practice of advice and consent. They identify the political and institutional causes of conflict over judicial selection over the past sixty years, as well as the consequences of such battles over court appointments. "Advice and Dissent" offers proposals for reforming the institutions of judicial selection, advocating pragmatic reforms that seek to harness the incentives of presidents and senators together. How well lawmakers confront the breakdown in advice and consent will have lasting consequences for the institutional capacity of the U.S. Senate and for the performance of the federal bench.
Forrest Maltzman
Forrest Maltzman is a professor of political science at George Washington University. His previous books include Competing Principals: Committees, Parties, and the Organization of Congress (University of Michigan Press, 1997) and, with James Spriggs and Paul Wahlbeck, The Collegial Game: Building the Law on the U.S. Supreme Court (Cambridge, 2000).
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从纯粹的工艺角度来看,这本书的脚注和附录部分,简直是教科书级别的严谨和详尽。我通常对非正文内容不太关注,但在这本书里,我发现那些看似次要的资料,实则是理解全书宏大叙事的关键钥匙。作者显然在背后的研究工作上投入了难以想象的精力,那些引用的文献、对背景设定的考据,都达到了学术研究的水准。正是这些看似枯燥的支撑材料,为前面那些充满想象力的叙事提供了坚实的骨架,使得整个故事的逻辑链条无懈可击。我花了很长时间去查阅其中提及的一些冷门历史事件,这种“二次研究”的过程,极大地拓宽了我的知识边界。对于那些不满足于表面故事的深度读者而言,这本书的价值绝不仅仅停留在故事本身,它提供了一个完整的知识体系,鼓励读者去探索其背后的真实世界,是一种极具启发性的阅读体验。
评分当我开始阅读这本书时,我立即被其语言风格的奇异魅力所吸引。它不是那种流畅到让人不假思索就能滑过去的文字,相反,它充满了张力,每一个句子都像精心打磨过的宝石,棱角分明,需要用特定的光线才能看到其最耀眼的一面。作者对于词汇的选用极其考究,常常使用一些我原本以为已经失传的、带有浓郁古风或特定语境色彩的词汇,使得阅读过程变成了一种对语言本身的美学鉴赏。我经常会因为一个绝妙的比喻或者一段极富韵律感的排比句而感到屏息凝神,甚至不得不放慢速度,逐字逐句地品味其中的深意。这种语言的密度,使得这本书的“信息量”远超一般的作品,它要求读者不仅要理解故事的“是什么”,更要体会语言“如何被使用”。对于那些追求文字艺术性的读者来说,这本书绝对是一场盛宴,它展示了语言在创作者手中所能达到的惊人高度,让人对母语的表达潜力有了全新的认识。
评分这本书所营造的氛围是如此的压抑和沉重,以至于我在阅读过程中不得不时常起身,走到窗边呼吸几口新鲜空气。它没有宏大的战争场面,也没有戏剧性的情节反转,但那种渗透在字里行间的宿命感和无力感,却比任何外部冲突都更具毁灭性。作者仿佛拥有某种预知未来的能力,将人性的弱点和环境的不可抗拒性描绘得淋漓尽致。我感觉自己仿佛置身于一个被浓雾笼罩的古老城市,每一步都充满了不确定性,每一步都可能导向一个更深的陷阱。书中那些关于选择与后果的探讨,虽然没有给出明确的答案,却如同冰冷的匕首,刺破了读者心中对“正义”和“圆满结局”的幻想。这种近乎残酷的真实性,虽然令人感到不适,但正是它,赋予了作品经久不衰的价值,因为它直面了人类存在中最难以回避的阴影。
评分这本书的封面对我来说,简直是一幅充满历史厚重感的画卷,初翻开时,那种油墨的微弱气息混合着纸张的陈旧感,立刻将我拽入了一个截然不同的时空。我得承认,我起初是带着一丝怀疑的,毕竟在这个信息爆炸的时代,能够沉下心来阅读一部需要细细咂摸的作品已属不易。然而,作者的叙事节奏和对细节的捕捉能力,却像一位技艺高超的织工,用最精妙的丝线编织出了一幅复杂而又引人入胜的图景。书中对那个特定历史时期的社会风貌描摹得栩栩如生,那些在书页中挣扎、欢笑、或是默默承受命运的个体,他们的喜怒哀乐不再是冰冷的文字记录,而是仿佛触手可及的真实存在。我尤其欣赏作者在处理人物内心冲突时的细腻笔触,那种深刻的矛盾感和人性的复杂性,使得每一个角色都显得立体可信,绝非扁平化的符号。每一次阅读,都像是一次对人类经验的深度探索,让人在合上书本后,仍需花费大量时间去消化和回味其中蕴含的哲思。这种阅读体验,是快餐文化时代难得的宝藏。
评分这本书的结构设计简直是一次大胆的实验,它完全颠覆了我对传统叙事逻辑的固有认知。章节之间的跳跃,时间线的错综交织,初读时确实让人有些晕头转向,仿佛置身于一个迷宫之中,需要不断地回头梳理线索。但正是在这种看似混乱的表象下,作者巧妙地埋设了无数的伏笔和呼应,每一次“柳暗花明”的顿悟都带来了极大的阅读快感。这种写作手法,与其说是叙事,不如说更像是在构建一个多维度的空间,读者需要主动参与到意义的构建过程中去。我发现自己常常需要停下来,在笔记本上画出人物关系图和时间轴,以此来帮助大脑跟上作者天马行空的思绪。更令人称奇的是,尽管叙事手法晦涩,但其核心的情感表达却异常真挚和强大,它像是穿透了所有复杂的结构,直击人心最柔软的部分。这种对形式的极致探索与对情感的忠诚,使得整本书的阅读过程充满了智力上的挑战和精神上的回馈,读完后感觉自己的思维都被拉伸、重塑了一遍。
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