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喜歡 Spoon River Anthology 的讀者還喜歡

Just so-so. My own reason would be I don't like poems, and I couldn't really understand what they were trying to say. But I like the idea of all villagers telling the story of their life. It was impressive.

Just so-so. My own reason would be I don't like poems, and I couldn't really understand what they were trying to say. But I like the idea of all villagers telling the story of their life. It was impressive.

一群死屍悔恨的獨白。從詩的角度來講並沒有那麼喜歡，敘事成分太多，具體細節描寫卻太少，有種簡單的故事梗概的感覺。

一群死屍悔恨的獨白。從詩的角度來講並沒有那麼喜歡，敘事成分太多，具體細節描寫卻太少，有種簡單的故事梗概的感覺。

Just so-so. My own reason would be I don't like poems, and I couldn't really understand what they were trying to say. But I like the idea of all villagers telling the story of their life. It was impressive.

“逆流者”的国度 ——埃德加•李•马斯特斯的《匙河集》 （根据凌越、梁嘉莹译本） 王炜 “当心生命里的逆流” ——《蔡斯•亨利》 1、诗人的语调和“外位视点” 在一个擅长语调艺术、并坚持现实主义取材的诗人写作中，往往是语调而非社会观点，使作品的现...  

“逆流者”的国度 ——埃德加•李•马斯特斯的《匙河集》 （根据凌越、梁嘉莹译本） 王炜 “当心生命里的逆流” ——《蔡斯•亨利》 1、诗人的语调和“外位视点” 在一个擅长语调艺术、并坚持现实主义取材的诗人写作中，往往是语调而非社会观点，使作品的现...  

“逆流者”的国度 ——埃德加•李•马斯特斯的《匙河集》 （根据凌越、梁嘉莹译本） 王炜 “当心生命里的逆流” ——《蔡斯•亨利》 1、诗人的语调和“外位视点” 在一个擅长语调艺术、并坚持现实主义取材的诗人写作中，往往是语调而非社会观点，使作品的现...  

本書第207首: 207. Lucinda Matlock I WENT to the dances at Chandlerville, And played snap-out at Winchester. One time we changed partners, Driving home in the moonlight of middle June, And then I found Davis. 5 We were married and lived tog...