The Original Frankenstein

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出版者:Vintage
作者:Mary Shelley
出品人:
页数:464
译者:
出版时间:2009-9-8
价格:USD 14.00
装帧:Paperback
isbn号码:9780307474421
丛书系列:
图书标签:
  • 英国
  • 长篇小说
  • 哥特小说
  • 恐怖
  • 科学怪人
  • 经典文学
  • 玛丽·雪莱
  • 怪物
  • 维多利亚时代
  • 浪漫主义
  • 小说
  • 超自然
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具体描述

Working from the earliest surviving draft of Frankenstein , Charles E. Robinson presents two versions of the classic novel—as Mary Shelley originally wrote it and a subsequent version clearly indicating Percy Shelley’s amendments and contributions.

For the first time we can hear Mary’s sole voice, which is colloquial, fast-paced, and sounds more modern to a contemporary reader. We can also see for the first time the extent of Percy Shelley’s contribution—some 5,000 words out of 72,000—and his stylistic and thematic changes. His occassionally florid prose is in marked contrast to the directness of Mary’s writing. Interesting, too, are Percy’s suggestions, which humanize the monster, thus shaping many of the major themes of the novel as we read it today. In these two versions of Frankenstein we have an exciting new view of one of literature’s greatest works.

作者简介

Born in London, Mary Wollstonecraft Shelley (1797-51) was the daughter of William Godwin, a noted social theorist, and Mary Wollstonecraft, one of the leading literary women of the day. Her mother died soon after her birth, and Mary was raised first under the care of servants, then by a stepmother, and finally in the rarefied intellectual atmosphere of her father’s circle. In May 1814, she met Percy Bysshe Shelley and, in July of the year, moved with him to the Continent. Two years later, after the death of Shelley’s wife, the poet and Mary were able to wed. It was in Switzerland in 1816, as a result of a story-writing competition among the Shelleys and Lord Byron, that Mary began Frankenstein, her first and most famous novel. Published in 1818, it was followed by such works as Valperga (1823), The Last Man (1826), and Falkner (1837). In 1822, after the death of her husband, she devoted herself to the upbringing of her son and the securing of his right to the Shelley family title.

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引: “即人制造了机器,但并不能主宰机器,反而被机器反咬一口。直到最近读了完整版,我才知道这部号称科幻小说之母的小说,包含的无穷内涵并不止科技问题。 小说的情节很简单。弗兰肯斯坦野心勃勃地创造了一个奇丑无比的巨人,希望以生命制造者的身份赢得敬仰。但被创造的怪...  

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父子 弗兰肯斯坦是那个人造人的名字?我猜没看过书的人90%会有这印象。不过事实上,弗兰肯斯坦是造人者的姓,而他所创造的人在书中根本就没有名字(没人给他起!)。全书中,人造人最常见的称呼是怪物,其他的还包括wretch、murderer、deformity乃至vampire。至于“弗兰肯斯坦...  

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“而我这个被遗弃的受苦人却是个怪胎,活该受人轻蔑、蹂躏、践踏,被踢来踢去。”小说结尾,怪物疾声控诉,控诉狠心的造物主,控诉不公的命运。在怪物身上,它的出生便是种罪恶,是伴随其一生的原生之罪。这就注定了它要穷尽一生的时间去救赎,而如何救赎,便成了横亘于怪物面...

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“而我这个被遗弃的受苦人却是个怪胎,活该受人轻蔑、蹂躏、践踏,被踢来踢去。”小说结尾,怪物疾声控诉,控诉狠心的造物主,控诉不公的命运。在怪物身上,它的出生便是种罪恶,是伴随其一生的原生之罪。这就注定了它要穷尽一生的时间去救赎,而如何救赎,便成了横亘于怪物面...

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Shelley's story shows interesting connection between creator and its creation. The monster and Frankenstein share similar character in some aspects: both of them are curious and learn very fast. They are both hesitant, eager for love, and bear great grief....  

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