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#3.5. departure from aesthetic readings of 18th c. zhiguai; reconsider zhiguai as a type of located discourse rooted in oral narratives, which is dynamic and interactive because it is open to elaborations, comments, evaluations, and general discussions; more like a historical project than a literary one; revisit ch.2-4 and conclusion when necessary.

#3.5. departure from aesthetic readings of 18th c. zhiguai; reconsider zhiguai as a type of located discourse rooted in oral narratives, which is dynamic and interactive because it is open to elaborations, comments, evaluations, and general discussions; more like a historical project than a literary one; revisit ch.2-4 and conclusion when necessary.

#3.5. departure from aesthetic readings of 18th c. zhiguai; reconsider zhiguai as a type of located discourse rooted in oral narratives, which is dynamic and interactive because it is open to elaborations, comments, evaluations, and general discussions; more like a historical project than a literary one; revisit ch.2-4 and conclusion when necessary.

#3.5. departure from aesthetic readings of 18th c. zhiguai; reconsider zhiguai as a type of located discourse rooted in oral narratives, which is dynamic and interactive because it is open to elaborations, comments, evaluations, and general discussions; more like a historical project than a literary one; revisit ch.2-4 and conclusion when necessary.

#3.5. departure from aesthetic readings of 18th c. zhiguai; reconsider zhiguai as a type of located discourse rooted in oral narratives, which is dynamic and interactive because it is open to elaborations, comments, evaluations, and general discussions; more like a historical project than a literary one; revisit ch.2-4 and conclusion when necessary.