ix Foreword (Philippe de Montebello)
xi Preface (Alfreda Murck)
xiii Chronology
xiv Abbreviations
xv Introduction: The Three Perfections: Poetry, Calligraphy, and Painting (Wen C. Fong and Alfreda Murck)
Part I Three Views of Unity
3 Reflections on the Poetic Quality and Artistic Origins of Ch'u Ting's Summer Mountains (Xie Zhiliu)
11 The Relationship between Poetry, Calligraphy, and Painting (Qi Gong)
21 Masterpieces by Three Calligraphers: Huang T;ing-chien, Yhe-lu Ch'u-ts'ai, and Chao Meng-fu (Yang Renkai)
Part II Lyric Aesthetics
47 Chinese Lyric Aesthetics (Yu-Kung Kao)
91 Calligraphic Style and Poetry handscrolls: On the Mi Fu's Sailing on the Wu River (Nakata Yujiro)
107 Huang T'ing-chien's Cursive Script and Its Influence (Shen C. Y. Fu)
123 The Relationship between Landscape Representations and Self-Inscriptions in the Works of Mi Yu-jen (Ogawa Hiromitsu)
Part III Art of Imperial Academy
Part IV Poetry into Painting
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