In a riveting psychological thriller, Mary Higgins Clark takes the reader deep into the mysteries of the human mind, where memories may be the most dangerous things of all. At the center of her novel is Kay Lansing, who has grown up in Englewood, New Jersey, daughter of the landscaper to the wealthy and powerful Carrington family. Their mansion -- a historic seventeenth-century manor house transported stone by stone from Wales in 1848 -- has a hidden chapel. One day, accompanying her father to work, six-year-old Kay succumbs to curiosity and sneaks into the chapel. There, she overhears a quarrel between a man and a woman who is demanding money from him. When she says that this will be the last time, his caustic response is: "I heard that song before." That same evening, the Carringtons hold a formal dinner dance after which Peter Carrington, a student at Princeton, drives home Susan Althorp, the eighteen-year-old daughter of neighbors. While her parents hear her come in, she is not in her room the next morning and is never seen or heard from again. Throughout the years, a cloud of suspicion hangs over Peter Carrington. At age forty-two, head of the family business empire, he is still "a person of interest" in the eyes of the police, not only for Susan Althorp's disappearance but also for the subsequent drowning death of his own pregnant wife in their swimming pool. Kay Lansing, now living in New York and working as a librarian in Englewood, goes to see Peter Carrington to ask for permission to hold a cocktail party on his estate to benefit a literacy program, which he later grants. Kay comes to see Peter as maligned and misunderstood, and when he begins to court her after the cocktail party, she falls in love with him. Over the objections of her beloved grandmother Margaret O'Neil, who raised her after her parents' early deaths, she marries him. To her dismay, she soon finds that he is a sleepwalker whose nocturnal wanderings draw him to the spot at the pool where his wife met her end. Susan Althorp's mother, Gladys, has always been convinced that Peter Carrington is responsible for her daughter's disappearance, a belief shared by many in the community. Disregarding her husband's protests about reopening the case, Gladys, now terminally ill, has hired a retired New York City detective to try to find out what happened to her daughter. Gladys wants to know before she dies. Kay, too, has developed gnawing doubts about her husband. She believes that the key to the truth about his guilt or innocence lies in the scene she witnessed as a child in the chapel and knows she must learn the identity of the man and woman who quarreled there that day. Yet, she plunges into this pursuit realizing that "that knowledge may not be enough to save my husband's life, if indeed it deserves to be saved." What Kay does not even remotely suspect is that uncovering what lies behind these memories may cost her her own life. I Heard That Song Before once again dramatically reconfirms Mary Higgins Clark's worldwide reputation as a master storyteller.
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说实话,我通常对这种带有“怀旧”或“记忆碎片”主题的作品抱持着一丝警惕,总担心它们会沦为矫揉造作的煽情工具。然而,《我曾听过那首歌》彻底颠覆了我的预期。它没有用过度渲染的情感去强迫读者共鸣,而是用一种近乎冷静甚至略带疏离的笔触,探讨了“失去”与“重塑”这个永恒的主题。作者的语言风格非常独特,夹杂着一种古典的韵律感,句子结构复杂却又逻辑清晰,读起来需要一定的专注力,但一旦进入状态,那种智力上的满足感是无与伦比的。我尤其赞叹作者处理时间线的方式,他巧妙地在当下与过去之间穿梭,没有生硬的跳转提示,而是通过一个特定的意象或一个熟悉的旋律(当然,不是书名所指的那首歌本身)作为桥梁,让读者自然而然地接受这种非线性的叙事结构。这种对读者心智的信任和挑战,让阅读过程充满了探索的乐趣。那些关于成长的烦恼、友谊的变质、以及对“错过”的遗憾,都被处理得如此克制和深刻,没有一句废话,全是精髓。
评分这本书的魅力在于它的“留白”。它提供了足够多的线索和情感铺垫,但又刻意地在关键的转折点上收住了笔。这使得每个读者在合上书后,都会在自己的脑海中完成最后一块拼图的构建,从而得到一个独属于自己的结局或理解。对我而言,最吸引人的是主角群像的立体感。他们不是非黑即白的符号,而是充斥着各种矛盾和自我怀疑的普通人,这使得我在阅读过程中,时不时会投射自己的影子进去,产生强烈的代入感。我注意到作者似乎很擅长运用感官细节来烘托气氛——比如某种特定的气味,或是微弱的光线变化——这些细节构成了极其真实的生活质感,而非仅仅是背景装饰。这种对生活质地的精准捕捉,让故事脱离了虚构的窠臼,变得有血有肉。虽然整体基调偏向内省和忧郁,但其中偶尔闪现的、对美好瞬间的珍惜和捕捉,又像是在深冬里突然出现的暖阳,带来了短暂而珍贵的光亮。
评分这本《我曾听过那首歌》简直是文字的盛宴,读起来让人沉浸其中,仿佛每一个词语都被精心雕琢过。作者的叙事节奏把握得极其精准,时而如涓涓细流般细腻地描摹人物的内心挣扎,时而又如同疾风骤雨般将故事推向高潮。我特别欣赏他对环境描写的功力,那种氛围感不是简单地罗列景物,而是将场景与人物的情绪无缝对接,让你真切地感受到角色所处的压抑或解放。尤其是开篇那段对老旧火车站的刻画,那种灰蒙蒙的色调、混杂着蒸汽和铁锈的味道,一下子就把我拽进了那个特定的时空背景里,完全忘记了自己是在一个安静的房间里阅读。这本书的情节推进并不依赖于突兀的戏剧性转折,而是源于角色之间微妙的互动和选择的累积,这种层层递进的真实感,远比那些刻意制造的惊奇更具震撼力。读完合上书的那一刻,我感觉自己像是经历了一场漫长而深刻的旅程,那些人物的影子久久地在我脑海中盘旋不去,久到我需要时间才能重新回到现实。这绝不是一本可以囫囵吞枣的书,它需要你放慢速度,去品味那些隐藏在对话背后的潜台词,去感受那些未尽之言的力量。
评分我很少被一本书的叙事声音如此彻底地吸引。这本书的“声音”是如此的独特和迷人,带着一种久远的回响感,仿佛是通过一个历经沧桑的记录者之口讲述出来的故事。它的语言流畅自然,即使偶尔出现一些看似生僻或拗口的表达,也完全服务于特定的情绪或时代的氛围,绝无炫技之嫌。阅读过程中,我常常会停下来,反复咀嚼某一句充满哲理的总结,或者某个描绘心境的绝妙比喻。它巧妙地避开了许多陈词滥调,用一种清新脱俗的方式触碰了爱、遗憾和时间流逝这些宏大主题。与许多侧重情节推动的作品不同,这本书更像是一幅精美的油画,需要你退后几步,才能看清全貌,但走近时,又能发现每一笔细微的纹理。它带给我的不仅仅是故事的满足感,更是一种精神上的滋养,让我开始重新审视自己生活中那些看似微不足道的“老歌”片段,那些曾经被忽略的瞬间。
评分这是一部需要用“心”去阅读的作品,而不是用“眼”去扫过。从排版和用词的选择上就能看出出版方的用心,字体大小和行距的配合,让长时间阅读也不会感到疲惫,这在现在很多仓促出版的书籍中是很难得的。作者对人类心理的洞察力令人印象深刻,他对“沉默”的描绘尤为精彩——那些没有说出口的话语,那些眼神的交汇,那些刻意回避的触摸,所蕴含的信息量,远超那些滔滔不绝的对白。我特别喜欢他构建的那个小镇(或者城市角落),它仿佛是一个独立于主流时间之外的空间,充满了历史的沉淀和未解的秘密。这本书的结构非常精巧,像一个复杂的多面体,从不同的角度去审视同一个事件,总能发现新的层次和含义。它不提供简单的答案,也不急于解决所有问题,它更像是一种邀请,邀请读者一同去面对生活中的不确定性和模糊性。
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