George and Kathy Lutz moved into 112 Ocean Avenue on December 18. Twenty-eight days later, they fled in terror.
George Lee Lutz, 28, of Deer Park, Long Island, had a pretty good idea of land and home values. The owner of a land surveying company, William H. Parry, Inc., he proudly let everyone know that the business was a third-generation operation: his grandfather s, his father s, and now his.
Between July and November, he and his wife, Kathleen, 30, had looked at over fifty homes on the Island s South Shore before deciding to investigate Amityville. None in the thirty to fifty thousand dollar range had yet met their requirements -- that the house must be on the water and that it must be one to which they could move George s business.
In the course of their search, George called the Conklin Realty Office in Massapequa Park and spoke to broker Edith Evans. She said that she had a new house that she wanted to show them, and that she could take them through the place between three and three-thirty. George made the appointment and the broker -- an attractive, warm woman -- took them there at three in the afternoon.
She was very pleasant and patient with the young couple. "I m not sure if this is what you re looking for," she told George and Kathy, "but I wanted to show you how the other half of Amityville lives."
The house at 112 Ocean Avenue is a big, rambling, three-story affair, with dark shingles and white trim. The lot on which it stands is 50 by 237, the fifty feet facing the front, so that as you look at the house from across the street, the entrance door is down the right side. With the property comes thirty feet of wooden bulkhead that stands against the Amityville River.
On a lamppost at the end of the paved driveway is a small sign bearing the name given the house by a previous owner. It reads "High Hopes."
An enclosed porch with wet bar looks out at a preferred, older residential community of other big homes. Evergreens grow around the narrow grounds, partly blocking off the neighbors on either side, but their drawn shades can be seen easily enough. When he looked around, George thought that was peculiar. He noticed the neighbors shades were all drawn on the sides that faced his house, but not in front or in the direction of the houses on the other side.
The house had been on the market for almost a year. It was not in the paper, but was fully described in Edith Evans s agency listing:
EXCLUSIVE AMITYVILLE AREA -- 6 bedroom Dutch Colonial, spacious living room, formal dining room, enclosed porch, 3-1/2 baths, finished basement,
2-car garage, heated swimming pool and large boathouse. Asking $80,000
Eighty thousand dollars! For a house described like that in the listing, it would have to be falling apart, or the typist could have left out a "1" before the "8." One might think she d want to show a suspect bargain after dark and from the outside only, but she was glad to show them inside. The Lutzes examination was pleasant, swift but thorough. Not only did it meet with their exact requirements and desires, but contrary to their anticipations, the house and other buildings on the property were in fine condition.
Without hesitation, the broker then told the couple it was the DeFeo house. Everyone in the country, it seems, had heard about that tragedy, the twenty-three-year-old Ronald DeFeo killing his father, mother, two brothers, and two sisters in their sleep on the night of November 13, 1974.
Newspaper and television accounts had told of the police discovering the six bodies all shot by a high-powered rifle. All -- as the Lutzes learned months later -- were lying in the same position: on their stomachs with their heads resting on their arms. Confronted with this massacre, Ronald had finally confessed: "It just started; it went so fast, I just couldn t stop."
During his trial, his court-appointed attorney, William Weber, pleaded for his insanity. "For months before the incident," the young man testified, "I heard voices. Whenever I looked around, there was no one there, so it must have been God talking to me." Ronald DeFeo was convicted of murder and sentenced to six consecutive life terms.
"I wonder if I should have told you which house this was before or after you saw it," the broker mused. "I d like to know for my future reference with clients looking for a house in the ninety-thousand dollar range."
Clearly she didn t feel the Lutzes would be interested in such an affluent property. But Kathy took one final look about the house, smiled happily and said, "It s the best we ve seen. It s got everything we ever wanted." Obviously she had never hoped to live in such a fine house. But George vowed to himself that if there was a way, this was the place he wanted his wife to have. The tragic history of 112 Ocean Avenue didn t matter to George, Kathy, or their three children. This was still the home they had always wanted.
During the remainder of November and the early weeks of December, the Lutzes spent their evenings laying out plans for minor modifications to be made in the new house. George s surveying experience enabled him to rough out suitable layouts for the changes.
He and Kathy decided one of the bedrooms on the third floor would be for their two boys, Christopher aged seven, and Daniel, nine. The other upstairs bedroom they gave to their children as a playroom. Melissa, "Missy," the five-year-old girl, would sleep on the second floor, across the hall from the master bedroom. There would also be a sewing room and a big dressing room for George and Kathy on the same floor. Chris, Danny, and Missy were well pleased with their room assignments.
Downstairs, on the main floor, the Lutzes had a slight problem. They didn t own any dining room furniture. They finally decided that before the closing, George would tell the broker they d like to purchase the dining room set left in storage by the DeFeos, along with a girl s bedroom set for Missy, a TV chair and Ronald DeFeo s bedroom furniture. These things and other furnishings left in the house, like the DeFeo s bed, were not included in the purchase price. George paid out an additional $400 for these items. He also got for free seven air-conditioners, two washers, two dryers, and a new refrigerator and a freezer.
There was a lot to be accomplished before moving day. In addition to the physical move of all their belongings, there were complicated legal questions, relative to the transfer of the title, that required sifting and sorting out. The title to the house and property was recorded in the names of Ronald DeFeo s parents. It seemed Ronald, as the sole survivor, was entitled to inherit his parents estate, regardless of the fact that he had been convicted of murdering them. None of the assets in the estate could be disposed of before being legally settled in Probate Court. It was a difficult legal maze that the executors had to travel, and more time was still needed to provide the proper legal administration of any transactions related to the house or property.
The Lutzes were advised that provisions could be devised to protect the legal interests of all concerned if the sale of the house was consummated; but to arrive at the proper procedure to accomplish this could take weeks or longer. Eventually it was resolved that, for the closing, $40,000 was to be put in escrow for the mortgage until a legal deed could be completed and executed.
The closing date was set for the morning George and Kathy planned to move from Deer Park. They had arranged to close on the sale of their old house the day before. Confident that everything could be worked out, and probably influenced by their anxiety to get settled in their new home, the couple decided to try and get everything done on the same day.
Packing was to be mainly Kathy s job. To keep the children out of her hair and away from George, she assigned them minor projects. They would gather their own toys and arrange their clothing for packing. When the chores were completed, they were to start cleaning their rooms to make their old house presentable for the scrutiny of new owners.
George planned to close his office in Syosset and move it into the new house to save on the rent money. He had included this item in his original estimate of how he and Kathy could afford an $80,000 house. Now he figured that the basement, a well-finished layout, might be the best place. Moving his equipment and furnishings would be time consuming enough, and if the basement was to be the location of the new office, some carpentry would be needed.
The 45-by-22-foot boathouse, out behind the house and garage, was not there just to be ostentatious and an unused decoration for the Lutzes. George owned a twenty-five-foot cabin cruiser and a fifteen-foot speed-boat. The facilities at his new house would again save him a lot of money he normally had been paying to a marina. The task of getting his vessels to Amityville with a trailer became an obsession with him, despite the priorities that he and Kathy were constantly discovering.
There was work to be done at 112 Ocean Avenue, both inside and outside. Although he wasn t sure where the time was going to come from, George planned to attend to some of the landscaping and the garden to prevent frost damage, maybe put framed burlap around the shrubs, put in bulbs and after that, spread some lime on the lawn.
Handy with his tools and equipment, George made good progress on many interior projects. Now and then, pressed for time, he got his hopeful projects confused with his musts. He soon dropped everything to clean the chimney, then the fireplace. After all, Christmas was coming up.
It was quite cold on the actual moving day. The family had packed the night before and slept on the floor. George was up early and singlehandedly piled the first full load into the biggest U-Haul trailer he could rent, finishing in barely enough time to clean up and get to the closing with Kathy.
At the legal ritual, the attorneys used up more than their usually allotted he...
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我必须承认,这本书对我这种“老牌”恐怖迷来说,提供了一种久违的、纯粹的阅读快感。它没有过多地解释“为什么”,而是专注于描绘“正在发生什么”以及“感受如何”。许多现代恐怖作品都试图用复杂的背景故事或科学解释来削弱神秘感,但这部作品果断地放弃了这种努力。它坚定地拥抱了那种不可名状的、源自深层无意识的恐惧。书中的一些意象,比如特定的符号或者重复出现的某个声音,虽然看似简单,但通过不断重复和在不同情境下的再现,形成了一种强大的心理暗示。读到最后,即使故事告一段落,那些意象依然会在脑海中回响,形成一种挥之不去的“背景噪音”。这本书的成功之处在于,它没有试图提供一个完美的结局或解释,而是让恐惧像烟雾一样,轻轻散去,但知道它一直都在那里,只是暂时隐形了。这才是真正令人敬畏的恐怖文学典范。
评分我花了整整一个周末才读完它,感觉精神上被彻底抽干了电量。这本书的厉害之处不在于那些血腥或直接的惊吓场面——说实话,那种东西现在太多了——而在于它对“空间”本身的扭曲和异化。它成功地将一个“家”,这个本应是最安全、最庇护灵魂的地方,变成了一个充满恶意和敌意的牢笼。作者似乎深谙空间心理学的奥秘,通过对房间布局、光线流动的描述,营造出一种持续的、慢性的不安感。我尤其喜欢其中对时间感模糊处理的片段,当事件开始循环往复,或者时间流逝速度变得毫无逻辑时,那种对现实掌控感的丧失感,比任何鬼怪出现都更令人毛骨悚然。阅读过程中,我发现自己开始下意识地审视自己房间的角落,检查门锁是否真的扣紧了。这种由文字引发的,对日常环境的怀疑和警惕,是很多恐怖小说梦寐以求却难以达到的效果。它没有用宏大的叙事来压迫你,而是用最微小、最日常的细节,慢慢蚕食你的安全边界,让你在不知不觉中成为了受害者群体的一员。
评分老实说,我一开始对这种经典题材的再创作并不抱太大期望,总觉得无非是老生常谈的桥段换个包装。但这本书的叙事节奏把握得简直是教科书级别的范本。前半部分铺陈得极其克制和缓慢,几乎是生活化的日常记录,只有零星的、难以察觉的怪事穿插其中,像冰水里滴入的一滴墨,缓缓晕开,让人难以判断是自己多心了,还是真的有什么不对劲。这种“不确定性”正是其高明之处。然而,一旦进入中段,情节突然加速,所有的线索和不祥的预感像被突然拉紧的弓弦,猛地射出。作者擅长利用对话中的停顿和省略来制造紧张感,有时候你甚至能感觉到角色之间沟通的壁垒是如何加剧了他们的孤立无援。对于那些喜欢层层递进、逻辑清晰(尽管内容荒谬)的恐怖故事的读者来说,这本书的结构设计绝对是极大的享受。它证明了,高明的恐怖叙事,并非在于展示“怪物”,而在于展示“怪物是如何一步步瓦解你的理智和环境支持系统的”。
评分这本书的语言风格非常独特,它不像某些流派那样使用大量华丽或晦涩的辞藻来营造氛围,反而选择了一种近乎冷静、客观的白描手法来叙述那些最超自然、最荒诞的事件。这种反差感产生了奇妙的化学作用:当作者用最平实的语调描述出极其恐怖的景象时,那种“这真的发生了”的冲击力反而被放大了数倍。我能体会到作者在创作时,对“疏离感”的精心经营。他让你站在一个观察者的角度,看着主角们如何一步步被困入他们自己的认知牢环中。特别是对家庭成员之间猜疑链的刻画,非常深刻。当外部力量开始侵蚀家庭内部的信任基础时,原本可以互相扶持的个体瞬间瓦解,成了最容易被击破的单位。这种对社会单元解体的描绘,使得恐怖的层次超越了单纯的灵异现象,触及到了人与人之间关系维护的难度和脆弱性,具有更深远的社会学意味。
评分这本小说初读时,那种深入骨髓的寒意便紧紧攫住了我的心神,它巧妙地构建了一个看似寻常却暗流涌动的家庭场景,将读者不由自主地拉入那种令人窒息的压抑氛围之中。作者对细节的捕捉极其敏锐,无论是老房子里那难以言喻的霉味,还是窗外树影婆娑间闪过的错觉,都被描绘得淋漓尽致。我仿佛能亲耳听到地板吱呀作响的声音,感受到空气中弥漫的冰冷。更令人称道的是,故事对人物内心深处的恐惧进行了细致入微的剖析。主角面对接踵而至的怪异事件时,那种从最初的理智抗拒到逐渐被恐惧吞噬的心理变化过程,写得极其真实可信,让人读到后面,忍不住会反思,如果自己置身其中,是否能够保持清醒。它不仅仅是一部恐怖故事,更像是一次对人类脆弱心灵极限的深刻探索。翻开书页,就像打开了一个通往未知深渊的入口,每翻一页都伴随着心跳的加速,生怕下一秒就会有某种不可名状之物跃出纸面。这种高超的叙事技巧,使得整部作品的张力从始至终都维持在一个极高的水准,令人欲罢不能,即使合上书本,那份挥之不去的阴影依然会残留在脑海深处,久久不散。
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