Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday aesthetic tastes and judgments can exert a powerful influence on the state of the world and our quality of life. By analysing a wide range of examples from our aesthetic interactions with nature, the environment, everyday objects, and Japanese culture, Saito illustrates the complex nature of seemingly simple and innocuous aesthetic responses. She discusses the inadequacy of art-centered aesthetics, the aesthetic appreciation of the distinctive characters of objects or phenomena, responses to various manifestations of transience, and the aesthetic expression of moral values; and she examines the moral, political, existential, and environmental implications of these and other issues.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
日本美學部分清楚但不新鮮，日常美學部分新鮮但不清楚。倫理-美學判斷放進設計藝術與造型藝術的對立裏講比放進日本美學裏講更有說服力。然後占很大篇幅的所謂“綠色美學”和“景觀美學”跟日常美學真的沒啥關係，除非你生活在伊薩卡這種地方，村兒到處處都是“景觀”。
评分衝著わびさび讀的。整本書是博士生的水平。
评分衝著わびさび讀的。整本書是博士生的水平。
评分碩士畢業論文
评分日本美學部分清楚但不新鮮，日常美學部分新鮮但不清楚。倫理-美學判斷放進設計藝術與造型藝術的對立裏講比放進日本美學裏講更有說服力。然後占很大篇幅的所謂“綠色美學”和“景觀美學”跟日常美學真的沒啥關係，除非你生活在伊薩卡這種地方，村兒到處處都是“景觀”。
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