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喜歡 Hiroshi Sugimoto 的讀者還喜歡

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我一直很睏惑到底怎麼纔能拍這樣的照片，快十年瞭感覺離答案越來越遠，我真是一個笨蛋，太傷心瞭

我一直很睏惑到底怎麼纔能拍這樣的照片，快十年瞭感覺離答案越來越遠，我真是一個笨蛋，太傷心瞭

是除瞭《廢墟劇場》之外最喜歡的杉本博思作品，去年初在遊輪上呆望瞭幾天如畫冊中所呈現的平靜海麵，仿佛置身《星際穿越》裏那顆隻有海洋的星球，時間和空間一如海平麵的交界虛實變幻。整本畫冊中的海麵都在體現黑白灰的微妙變化，拍攝時間跨度居然有三十年，對印刷的要求也極高，如果有幸看到大尺寸的原作一定會更加震撼

永恒與當下

像擁有瞭永恒

Munesuke Mita compares Sugimoto with Rothko to the conclusion that even though the two both belong to somewhat the contemporary arts in a way the “reductive passion” is an aesthetic urge to strip away and eliminate, however, the eternity in Sugimoto’s en...

Munesuke Mita compares Sugimoto with Rothko to the conclusion that even though the two both belong to somewhat the contemporary arts in a way the “reductive passion” is an aesthetic urge to strip away and eliminate, however, the eternity in Sugimoto’s en...

Munesuke Mita compares Sugimoto with Rothko to the conclusion that even though the two both belong to somewhat the contemporary arts in a way the “reductive passion” is an aesthetic urge to strip away and eliminate, however, the eternity in Sugimoto’s en...

Munesuke Mita compares Sugimoto with Rothko to the conclusion that even though the two both belong to somewhat the contemporary arts in a way the “reductive passion” is an aesthetic urge to strip away and eliminate, however, the eternity in Sugimoto’s en...

Munesuke Mita compares Sugimoto with Rothko to the conclusion that even though the two both belong to somewhat the contemporary arts in a way the “reductive passion” is an aesthetic urge to strip away and eliminate, however, the eternity in Sugimoto’s en...