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永恒与当下

The photographs are romantic yet absolutely rigorous, apparently universal but exceedingly specific.

The photographs are romantic yet absolutely rigorous, apparently universal but exceedingly specific.

永恒与当下

永恒与当下

Munesuke Mita compares Sugimoto with Rothko to the conclusion that even though the two both belong to somewhat the contemporary arts in a way the “reductive passion” is an aesthetic urge to strip away and eliminate, however, the eternity in Sugimoto’s en...

Munesuke Mita compares Sugimoto with Rothko to the conclusion that even though the two both belong to somewhat the contemporary arts in a way the “reductive passion” is an aesthetic urge to strip away and eliminate, however, the eternity in Sugimoto’s en...

Munesuke Mita compares Sugimoto with Rothko to the conclusion that even though the two both belong to somewhat the contemporary arts in a way the “reductive passion” is an aesthetic urge to strip away and eliminate, however, the eternity in Sugimoto’s en...

Munesuke Mita compares Sugimoto with Rothko to the conclusion that even though the two both belong to somewhat the contemporary arts in a way the “reductive passion” is an aesthetic urge to strip away and eliminate, however, the eternity in Sugimoto’s en...

Munesuke Mita compares Sugimoto with Rothko to the conclusion that even though the two both belong to somewhat the contemporary arts in a way the “reductive passion” is an aesthetic urge to strip away and eliminate, however, the eternity in Sugimoto’s en...