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喜歡 Leviathan 的讀者還喜歡

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Paul Auster pays homage to Laurence Sterne this time. The Tristram-Shandy-like narration is in itself very compelling, but the protagonists are too flat and lack sophistication, anyway I like his prose style of writing which contributes to form a powerful narrative. In conclusion, it's a novel with many flaws in its logic as well as characters.

Paul Auster pays homage to Laurence Sterne this time. The Tristram-Shandy-like narration is in itself very compelling, but the protagonists are too flat and lack sophistication, anyway I like his prose style of writing which contributes to form a powerful narrative. In conclusion, it's a novel with many flaws in its logic as well as characters.

Paul Auster pays homage to Laurence Sterne this time. The Tristram-Shandy-like narration is in itself very compelling, but the protagonists are too flat and lack sophistication, anyway I like his prose style of writing which contributes to form a powerful narrative. In conclusion, it's a novel with many flaws in its logic as well as characters.

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Paul Auster pays homage to Laurence Sterne this time. The Tristram-Shandy-like narration is in itself very compelling, but the protagonists are too flat and lack sophistication, anyway I like his prose style of writing which contributes to form a powerful narrative. In conclusion, it's a novel with many flaws in its logic as well as characters.

美国小说家保罗·奥斯特的早期作品中，虽然直接以城市命名只有他的成名作《纽约三部曲》（1987），但是城市这个主题从来没有中断过。我们之所以把它与另外两部作品《月宫》（1989）和《巨兽》（1992）并称看作他的代表作，正是因为其中若隐若现的城市叙事，城市不但作为小说中...  

当有人看到我桌子上放的书，询问我：《巨兽》？讲的什么？ 我下意识地回忆起书中的每个段落，试图组织一句精悍的话来概括整本书的内容。 然而几秒钟后，我依然哑口无言。 我想我还没有这种能力，用一句话去讲述保罗奥斯特的一本书，又或是，这便是保罗奥斯特的...  

美国小说家保罗·奥斯特的早期作品中，虽然直接以城市命名只有他的成名作《纽约三部曲》（1987），但是城市这个主题从来没有中断过。我们之所以把它与另外两部作品《月宫》（1989）和《巨兽》（1992）并称看作他的代表作，正是因为其中若隐若现的城市叙事，城市不但作为小说中...  

新年伊始在中国出版的保罗·奥斯特作品《巨兽》是他在1992年创作的小说，曾获得法国重要的文学奖项梅迪西斯奖（非法语作品板块，该奖项设立的宗旨是奖励‘名声尚未与其才华相匹配’的作者）。其风格也正符合那时的保罗·奥斯特，情节入胜，结构完整，有头有尾。彼时的他，与200...