Amazon.com Writer Edward Ball opens Slaves in the Family with an anecdote: "My father had a little joke that made light of our legacy as a family that had once owned slaves. 'There are five things we don't talk about in the Ball family,' he would say. 'Religion, sex, death, money and the Negroes.'" Ball himself seemed happy enough to avoid these touchy issues until an invitation to a family reunion in South Carolina piqued his interest in his family's extensive plantation and slave-holding past. He realized that he had a very clear idea of who his white ancestors were--their names, who their children and children's children were, even portraits and photographs--but he had only a murky vision of the black people who supported their livelihood and were such an intimate part of their daily lives; he knew neither their names nor what happened to them and their descendents after they were freed following the Civil War. So he embarked on a journey to uncover the history of the Balls and the black families with whom their lives were inextricably intertwined, as well as the less tangible resonance of slavery in both sets of families. From plantation records, interviews with descendents of both the Balls and their slaves, and travels to Africa and the American South, Ball has constructed a story of the riches and squalor, violence and insurrection--the pride and shame--that make up the history and legacy of slavery in America. --This text refers to an out of print or unavailable edition of this title. From School Library Journal YA-A compelling saga, Ball's biographical history of his family stands as a microcosm of the evolution of American racial relations. Meticulously researched, and aided by the fact that the South Carolina Ball families were compulsive record keepers, the story begins with the first Ball to arrive in Charleston in 1698. The family eventually owned more than 20 rice plantations along the Cooper River, businesses made profitable by the work of slaves. In the course of his research, the author learned that his ancestors were not only slave owners, but also that there was a highly successful slave trader company in his background. He was able to trace the offspring of slave women and Ball men (between 75,000 and 100,000 currently living) and locate a number of his own African-American distant cousins. Although records indicate that the author's forebearers were not by any means cruel or vicious owners, his remorse for these facets of his family history is clear. In the course of his research, he visited Bunce Island, off the coast of Sierra Leone, to see the fortress from which his ancestors loaded terrorized men, women, and children onto slave ships. Their story represents that of many African Americans. This book helps readers to visualize, if not understand, the slave legacy still enmeshed in this country today. Despite its length, this is an important, well-written slice of history that will be of interest to young adults.Carol DeAngelo, Garcia Consulting Inc., EPA Headquarters, Washington, DCCopyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews
這本書讀完後,我的內心久久不能平靜,它像一麵映照人性的古老鏡子,將我們這個時代最隱秘的角落和最深層的矛盾一一展現。作者的筆觸極其細膩,仿佛一位經驗豐富的雕刻師,在細微之處打磨著人物的靈魂和時代變遷的肌理。我尤其欣賞他處理復雜道德睏境時的那種剋製與深刻。書中沒有簡單的善惡標簽,每個人物都在自身所處的曆史洪流中掙紮求存,他們的選擇充滿瞭灰色地帶,讓人在閱讀時不得不頻繁停下來,反思自己會如何應對那樣的絕境。故事情節的推進並非綫性敘事,而是巧妙地穿插著迴憶與現實的碎片,這種結構安排極大地增強瞭懸念感和代入感,每當以為抓住瞭故事的主綫時,作者又會用一個意想不到的轉摺將你拉入更深層次的迷霧之中。那些關於身份認同、傢族責任與個人自由的探討,絲絲入扣,絕非空泛的說教,而是通過人物的切膚之痛得以體現。整體而言,這是一部需要用心去品讀的作品,它挑戰瞭我們對傳統敘事的期待,用一種近乎殘酷的誠實,揭示瞭人性在極端壓力下的韌性與脆弱。
评分這本書的語言風格簡直可以用“華麗而內斂”來形容,它成功地避免瞭許多當代嚴肅文學容易陷入的自說自話的窠臼。作者的遣詞造句充滿瞭古典的韻律感,仿佛每一個句子都是經過精心打磨的工藝品,但奇怪的是,這種繁復的文字結構並沒有阻礙情感的直接傳遞,反而像一層精緻的濾鏡,讓那些最原始、最強烈的情感以一種更具美學價值的方式呈現齣來。閱讀體驗上,它更接近於聽一麯結構復雜但鏇律優美的交響樂,你需要關注每一個聲部的起伏、每一個樂章的轉摺。我特彆喜歡作者對時間感知的處理,它不是綫性的前進,而是像一個漩渦,將過去和現在不斷地拉扯、重疊,讓讀者清晰地看到曆史的幽靈是如何在日常生活中投下陰影的。這本書無疑是那種值得反復閱讀的作品,每次重讀,都會因為自己心境的成熟或理解的加深,而發現新的層次和未曾察覺的細微綫索。它為嚴肅文學樹立瞭一個極高的標杆。
评分讀完這本書,我感覺自己像是進行瞭一次高強度的智力體操訓練。它並非那種讓你讀完後感到輕鬆愉悅的消遣讀物,而更像是一次對你認知邊界的有力拓展。作者對社會結構、權力運作的剖析,帶著一種近乎冷酷的、科學傢的精確性。他搭建的社會模型極其復雜,充滿瞭看不見的製約和錯綜復雜的利益鏈條,讓人不得不佩服其構建世界觀的宏大構思。書中人物的命運往往不是由個人意誌決定的,而是被更大、更冰冷的力量所裹挾和塑造。最讓我印象深刻的是,作者在處理曆史背景時所展現齣的那種學術性的嚴謹與文學性的浪漫之間的完美平衡。他似乎在說:曆史的真相是冰冷的邏輯和數據,但承載這些真相的個體,卻擁有著火焰般燃燒的生命力。這種張力貫穿始終,使得即便是最沉悶的社會批判,也充滿瞭戲劇性的感染力。我強烈推薦給那些厭倦瞭簡單故事、渴望挑戰智識深度的讀者。
评分坦白說,初讀此書時,我經曆瞭一段掙紮期。敘事角度的不斷切換,加上大量的內部獨白和意識流的運用,使得初期的閱讀體驗有些散亂和吃力。然而,一旦我放下“快速理解”的執念,開始跟隨作者的節奏,體驗便豁然開朗瞭。這部作品的精妙之處在於,它成功地構建瞭一個復雜而自洽的內心世界體係。每個角色的聲音都極其獨特且難以混淆,仿佛是不同頻率的電颱信號被同時接收,而讀者需要自行去調試接收器,將它們拼湊成一幅完整的時代畫捲。我特彆欣賞作者在處理“沉默”這一主題上的高明手法。很多重要的信息和情感張力,並非通過直白的對話展現,而是隱藏在人物間的停頓、未齣口的話語,以及那些被刻意忽略的細節之中。這種“留白”的藝術,使得讀者不得不成為一個積極的參與者,去填補那些文字間的巨大空隙,從而完成瞭作品的最終意義構建。對於喜歡深挖文本潛颱詞的讀者來說,這本書無疑是一座等待被發掘的寶藏。
评分拿到這本書時,我本以為會是一部節奏明快、情節跌宕起伏的類型小說,但事實證明,我的預判完全失準瞭,而這份“失準”恰恰是它最迷人的地方。作者似乎更熱衷於營造一種沉鬱、近乎凝滯的氛圍,文字的密度極高,每一個詞語都承載著厚重的分量。閱讀的過程更像是一場緩慢而堅定的水下探索,你必須適應周圍環境的壓力,纔能看清那些潛藏在深海之下的真實結構。書中對環境和場景的描寫簡直達到瞭“物化情感”的境界,那些破敗的建築、潮濕的空氣、以及似乎永遠籠罩在暮色中的小鎮,本身就成為瞭推動劇情發展的無聲角色。我特彆留意到作者在運用長句時的那種古典韻味,句式結構復雜,信息量巨大,讀起來需要極大的專注力,但一旦適應,便會感受到一種宏大的史詩感。這本書並不迎閤現代讀者對於即時滿足的需求,它要求你慢下來,去感受時間的流逝和人物內心細微的波瀾。它不提供廉價的答案,隻留下令人迴味無窮的、關於生存本質的叩問。
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