Amazon.com Writer Edward Ball opens Slaves in the Family with an anecdote: "My father had a little joke that made light of our legacy as a family that had once owned slaves. 'There are five things we don't talk about in the Ball family,' he would say. 'Religion, sex, death, money and the Negroes.'" Ball himself seemed happy enough to avoid these touchy issues until an invitation to a family reunion in South Carolina piqued his interest in his family's extensive plantation and slave-holding past. He realized that he had a very clear idea of who his white ancestors were--their names, who their children and children's children were, even portraits and photographs--but he had only a murky vision of the black people who supported their livelihood and were such an intimate part of their daily lives; he knew neither their names nor what happened to them and their descendents after they were freed following the Civil War. So he embarked on a journey to uncover the history of the Balls and the black families with whom their lives were inextricably intertwined, as well as the less tangible resonance of slavery in both sets of families. From plantation records, interviews with descendents of both the Balls and their slaves, and travels to Africa and the American South, Ball has constructed a story of the riches and squalor, violence and insurrection--the pride and shame--that make up the history and legacy of slavery in America. --This text refers to an out of print or unavailable edition of this title. From School Library Journal YA-A compelling saga, Ball's biographical history of his family stands as a microcosm of the evolution of American racial relations. Meticulously researched, and aided by the fact that the South Carolina Ball families were compulsive record keepers, the story begins with the first Ball to arrive in Charleston in 1698. The family eventually owned more than 20 rice plantations along the Cooper River, businesses made profitable by the work of slaves. In the course of his research, the author learned that his ancestors were not only slave owners, but also that there was a highly successful slave trader company in his background. He was able to trace the offspring of slave women and Ball men (between 75,000 and 100,000 currently living) and locate a number of his own African-American distant cousins. Although records indicate that the author's forebearers were not by any means cruel or vicious owners, his remorse for these facets of his family history is clear. In the course of his research, he visited Bunce Island, off the coast of Sierra Leone, to see the fortress from which his ancestors loaded terrorized men, women, and children onto slave ships. Their story represents that of many African Americans. This book helps readers to visualize, if not understand, the slave legacy still enmeshed in this country today. Despite its length, this is an important, well-written slice of history that will be of interest to young adults.Carol DeAngelo, Garcia Consulting Inc., EPA Headquarters, Washington, DCCopyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews
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拿到这本书时,我本以为会是一部节奏明快、情节跌宕起伏的类型小说,但事实证明,我的预判完全失准了,而这份“失准”恰恰是它最迷人的地方。作者似乎更热衷于营造一种沉郁、近乎凝滞的氛围,文字的密度极高,每一个词语都承载着厚重的分量。阅读的过程更像是一场缓慢而坚定的水下探索,你必须适应周围环境的压力,才能看清那些潜藏在深海之下的真实结构。书中对环境和场景的描写简直达到了“物化情感”的境界,那些破败的建筑、潮湿的空气、以及似乎永远笼罩在暮色中的小镇,本身就成为了推动剧情发展的无声角色。我特别留意到作者在运用长句时的那种古典韵味,句式结构复杂,信息量巨大,读起来需要极大的专注力,但一旦适应,便会感受到一种宏大的史诗感。这本书并不迎合现代读者对于即时满足的需求,它要求你慢下来,去感受时间的流逝和人物内心细微的波澜。它不提供廉价的答案,只留下令人回味无穷的、关于生存本质的叩问。
评分这本书读完后,我的内心久久不能平静,它像一面映照人性的古老镜子,将我们这个时代最隐秘的角落和最深层的矛盾一一展现。作者的笔触极其细腻,仿佛一位经验丰富的雕刻师,在细微之处打磨着人物的灵魂和时代变迁的肌理。我尤其欣赏他处理复杂道德困境时的那种克制与深刻。书中没有简单的善恶标签,每个人物都在自身所处的历史洪流中挣扎求存,他们的选择充满了灰色地带,让人在阅读时不得不频繁停下来,反思自己会如何应对那样的绝境。故事情节的推进并非线性叙事,而是巧妙地穿插着回忆与现实的碎片,这种结构安排极大地增强了悬念感和代入感,每当以为抓住了故事的主线时,作者又会用一个意想不到的转折将你拉入更深层次的迷雾之中。那些关于身份认同、家族责任与个人自由的探讨,丝丝入扣,绝非空泛的说教,而是通过人物的切肤之痛得以体现。整体而言,这是一部需要用心去品读的作品,它挑战了我们对传统叙事的期待,用一种近乎残酷的诚实,揭示了人性在极端压力下的韧性与脆弱。
评分读完这本书,我感觉自己像是进行了一次高强度的智力体操训练。它并非那种让你读完后感到轻松愉悦的消遣读物,而更像是一次对你认知边界的有力拓展。作者对社会结构、权力运作的剖析,带着一种近乎冷酷的、科学家的精确性。他搭建的社会模型极其复杂,充满了看不见的制约和错综复杂的利益链条,让人不得不佩服其构建世界观的宏大构思。书中人物的命运往往不是由个人意志决定的,而是被更大、更冰冷的力量所裹挟和塑造。最让我印象深刻的是,作者在处理历史背景时所展现出的那种学术性的严谨与文学性的浪漫之间的完美平衡。他似乎在说:历史的真相是冰冷的逻辑和数据,但承载这些真相的个体,却拥有着火焰般燃烧的生命力。这种张力贯穿始终,使得即便是最沉闷的社会批判,也充满了戏剧性的感染力。我强烈推荐给那些厌倦了简单故事、渴望挑战智识深度的读者。
评分这本书的语言风格简直可以用“华丽而内敛”来形容,它成功地避免了许多当代严肃文学容易陷入的自说自话的窠臼。作者的遣词造句充满了古典的韵律感,仿佛每一个句子都是经过精心打磨的工艺品,但奇怪的是,这种繁复的文字结构并没有阻碍情感的直接传递,反而像一层精致的滤镜,让那些最原始、最强烈的情感以一种更具美学价值的方式呈现出来。阅读体验上,它更接近于听一曲结构复杂但旋律优美的交响乐,你需要关注每一个声部的起伏、每一个乐章的转折。我特别喜欢作者对时间感知的处理,它不是线性的前进,而是像一个漩涡,将过去和现在不断地拉扯、重叠,让读者清晰地看到历史的幽灵是如何在日常生活中投下阴影的。这本书无疑是那种值得反复阅读的作品,每次重读,都会因为自己心境的成熟或理解的加深,而发现新的层次和未曾察觉的细微线索。它为严肃文学树立了一个极高的标杆。
评分坦白说,初读此书时,我经历了一段挣扎期。叙事角度的不断切换,加上大量的内部独白和意识流的运用,使得初期的阅读体验有些散乱和吃力。然而,一旦我放下“快速理解”的执念,开始跟随作者的节奏,体验便豁然开朗了。这部作品的精妙之处在于,它成功地构建了一个复杂而自洽的内心世界体系。每个角色的声音都极其独特且难以混淆,仿佛是不同频率的电台信号被同时接收,而读者需要自行去调试接收器,将它们拼凑成一幅完整的时代画卷。我特别欣赏作者在处理“沉默”这一主题上的高明手法。很多重要的信息和情感张力,并非通过直白的对话展现,而是隐藏在人物间的停顿、未出口的话语,以及那些被刻意忽略的细节之中。这种“留白”的艺术,使得读者不得不成为一个积极的参与者,去填补那些文字间的巨大空隙,从而完成了作品的最终意义构建。对于喜欢深挖文本潜台词的读者来说,这本书无疑是一座等待被发掘的宝藏。
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