From Booklist Davis draws from the well of Vietnam-era demons to make his debut in the murder-in-the-Pentagon sweepstakes. As in State of the Union by David Callahan and Sweepers by P. T. Deutermann , the killings here are linked to murky business during the Vietnam War. Stock characters are customary for this genre: top-ranking brass who quash embarrassing investigations (in this case, into the murder of the U.S. Air Force chief) and an investigator who tenaciously pursues all leads. The investigator is air force officer Charles Jensen, whose initial step into the quagmire reveals that the chief, tortured and murdered with a signature North Vietnamese m.o., had been inquiring about the fate of POWs at a camp from which only the now-chairman of the Joint Chiefs and presidential aspirant General Holmes had escaped. Before Jensen can connect these two men, he and his ethnically diverse team ponder an ever-increasing body count. Davis plants enough clues in the activities of the victims to create uncertainty about what Holmes is concealing, but he clarifies the motive via a dramatic trick in which one "dead" man reappears very much alive, wreaking beaucoup mayhem on behalf of Holmes. No doubt a market exists for extravagant exaggerations of the Pentagon's actual scandals of turpitude or embezzlement, yet this tale goes so far beyond reality as to belong in science fiction. Still, initial demand is likely. Gilbert Taylor From Kirkus Reviews Routine military whodunit set in the dusty warrens of the Pentagon, from a former Air Force major. Shortly after putting the dinner dishes in the sink, Colonel Charlie Jensen, a contented family man who is also commander of the Air Force's P-Directorate, an elite criminal-investigations unit that handles only the highest profile cases, gets a phone call. The corpse of Air Force General Watkins, a member of the Joint Chiefs of Staff, has been found at home in his study, his skin brutally slashed in a torture-style execution commonly used many years ago by the Vietcong. Though he would normally lead the investigation, Jensen is ordered to play second fiddle to Colonel ``Tip'' Tippett, a heroic veteran of Vietnam and Desert Storm, as well as a Jensen family friend, who has been hitting the bottle since he was passed over for a general's star. Almost by accident, Jensen discovers that Watkins's last call was to a Vietnamese restaurant on 14th Street near Washington's red-light district. The general's aide, the drop-dead gorgeous Major Talia Swanson, confirms that though her boss had served in Vietnam and recently visited former prisoner-of-war camps there, he was no fan of cracked rice and spring rolls. In fact, just before he died, Watkins was about to stop the current President's plans to normalize relations with Vietnama move that Watkins's rival, General Holmes, supports. The body count grows: Vietnamese and American Air Force officers, who may know something about a secret massacre in a North Vietnamese prison camp from which General Holmes conveniently escaped, are stabbed, shot, sliced to pieces, or blown up. In the process, Davis's dialogue-heavy narrative moves quickly, but its lack of descriptive detail and distinguishable characters lends an artificiality to the plot, which is yanked along by plug-in melodramatics like kidnappings and faked deaths. A terse, gung-ho military-thriller debut sans the usual high-tech hardware. Lots of action, but not much else. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. See all Editorial Reviews
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这本作品最让我感到惊艳的,是它对“沉默”的运用。在很多至关重要的场景,作者完全舍弃了对白,转而用大段的留白和细致入微的动作描写来推动情绪和信息传递。例如,在两位核心人物关系破裂的那一幕,他们之间没有一句争吵,只有对桌面物品的无意识摆弄和空气中静电般的紧张感,通过对指尖颤抖、眼神交汇那一秒的慢动作捕捉,作者将那种千言万语梗在喉头的痛苦表现得淋漓尽致。这种“少即是多”的掌控力,是许多年轻作家难以企及的。此外,全书的象征符号运用达到了炉火纯青的地步。从开篇出现的那个生锈的指南针,到贯穿全书的某种特定鸟类,每一个意象都不是孤立的装饰,而是与主题深度绑定的关键元素。读完后,我立即去查阅了关于该领域背景知识的资料,因为我意识到,如果不理解这些象征的文化根源,就如同看了一部被删减了关键字幕的电影。它要求读者拥有主动探索的欲望,这让阅读本身变成了一种主动的、充满发现乐趣的学习过程。
评分坦白讲,我一直对那种强调人物内心独白的文学作品不太感冒,总觉得矫情。但这本书在这方面却做得非常出色,它没有流于表面的自我剖析,而是深入挖掘了角色潜意识中最幽暗、最不愿面对的部分。书中有一段,主角对着镜子进行了一场长达数页的内心独白,但通篇没有出现一个“我”字,全是依赖动词和代词的切换,精准地展现了一种精神分裂式的自我审视。这种叙事技巧的运用,极大地增强了文本的张力。更让我印象深刻的是,作者处理时间线的方式。他频繁地在过去、现在和假设的未来之间跳跃,每一次跳转都带着强烈的目的性,不是为了炫技,而是为了展示历史对当下的不可磨灭的影响,以及选择的连锁反应。阅读过程中,我感觉自己像是在攀爬一座螺旋上升的塔楼,每上升一层,看到的风景就不同,但底层的结构始终盘旋在脚下。这本书的结构之复杂,已经超出了普通情节驱动型小说的范畴,更像是一部关于存在主义的建筑草图,精妙且令人敬畏。
评分这本厚重的精装本一拿到手里,就感觉到了沉甸甸的历史分量。我迫不及待地翻开了扉页,映入眼帘的是那种老派的排版,字体带着一种优雅的、近乎手刻的质感,让人瞬间穿越回了那个遥远的时代背景。作者的叙事笔触极其细腻,尤其擅长捕捉人物内心深处那种微妙的挣扎与克制。比如,书中对主角在关键抉择面前那种近乎病态的犹豫,描绘得入木三分,仿佛能透过文字感受到他额头上冒出的冷汗。我特别欣赏作者在环境描写上的功力,那些关于城市街道的灯光、雨水打在石板上的声音,甚至空气中弥漫的某种特有气味,都被他捕捉得栩栩如生。读起来,你不是在“看”故事,而是在“生活”在那个世界里。情节的推进并不追求速度,而是如同老式钟表的齿轮,缓慢而精准地咬合,每一步都蕴含着深思熟虑的布局。读完前三分之一,我甚至需要停下来,在现实中踱步消化那种厚重的宿命感。它不像市面上流行的快餐读物,而是需要你投入时间、心力去品味的佳酿,每一次重读都会有新的体会,关于人性的复杂、关于时代的洪流,都有着令人深思的侧面。
评分这本作品的语言风格简直是独树一帜,充满了浓厚的古典主义情结,用词考究,句式复杂到让人忍不住要查字典。我得承认,阅读体验是相当“费力”的,很多长句动辄超过半百字,中间嵌套着层层叠叠的从句和插入语,读起来需要极强的气流控制能力和专注力。但这费力感,却带来了一种奇妙的仪式感。作者似乎在刻意营造一种疏离感,用这种繁复的语言将读者和故事的主题隔开了一层,让你无法轻易地沉溺于情感,而是被迫从一个更高的、更理性的层面去审视人物的命运。尤其是在描绘那些宏大的哲学思辨时,这种庄重的语调显得尤为恰当。书中对于“秩序”与“混乱”的辩证探讨,贯穿始终,每一次角色的行为,似乎都在呼应着某种古老的宇宙法则。我有一个习惯,就是会把那些特别精妙的措辞抄写下来,它们单独拎出来,就像是一首首微型的诗歌,充满了韵律美和力量感。这本书,与其说是小说,不如说是一部用文学语言写就的、关于人类境遇的哲学论述。
评分说实话,这本书的开篇简直像一记重拳,直接将我打入了迷雾之中。叙事视角极其跳跃,前一秒还在描绘宏大的战争场面,后一秒倏地拉近到某个不起眼小人物的日常琐碎,这种破碎感和非线性叙事结构,初读时让人倍感挫败。我花了将近一个小时,才勉强理清主要人物关系网的骨架。但一旦适应了这种节奏,就会发现作者的野心。他似乎并不满足于讲述一个单一的故事线,而是试图构建一个多维度的世界图景,每一个碎片化的叙事片段,都像是一面棱镜,折射出不同角度的社会侧面和哲学思考。我特别喜欢其中穿插的那些晦涩难懂的引文和脚注,虽然增加了阅读难度,却也为文本增添了一层厚重的学术气息和神秘感。那些关于权力结构、道德边界的探讨,尖锐得如同手术刀,毫不留情地剖开了虚伪的外壳。读这本书,更像是在参与一场智力上的角力,你必须时刻保持警醒,去拼凑那些散落的线索,去对抗作者设置的阅读障碍。它挑战了传统小说的既有范式,绝对不是那种可以让人放松阅读的“闲书”。
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